A breeze through September…
OUT AND ABOUT:
The weather forecasters got it wrong one weekend meaning we went out on the worst day where we would have felt more at home in an ark than a car. That was one Saturday. The Sunday was supposed to be worse, so we were wondering how much worse it could be so, naturally, the sun came out. This meant we at least got work done in the garden clearing out the Strawberry bed, which had seemed like a good idea but turned out not so much. They spread far too easily. There’s more work to do in that area but at least we made a good start. Gardens are organic in more ways than one. Some plants are planted in error.
We also visited our now nearest IKEA, which proved simple to get to, but take my advice. If you intend to have a meal there if asked, “Do you want peas?” it’s a definite no. Not until we got to the till did we realise they weren’t included in the meal and at 50p a scoop I can do without. The meatballs… everyone said, “You’ve got to try the meatballs at IKEA.” We’ve heard this recommendation so often we thought, fine, we’ll try the meatballs (I believe you can also buy these in bags to take home). Well, they taste exactly the same as the ready-cooked meatballs you can buy in Lidl or Aldi, only theirs are better. Just be warned. And if you have an IKEA family card, you’re no longer considered ‘family’ on the weekend so no free drink. That’s changed, too, though some drinks come with free refills for everyone. I might stop for a drink if shopping and desperate but I won’t eat there again.
Nothing much to report film wise this month. We’re watching the Marvel films in order. Seen them all more than once but never in the order intended. We watched the last few episodes of Jonathan Creek and began ‘Touch’ starring Kiefer Sutherland. The pilot was well conceived though the format seems a little compressed in the second episode. An interesting idea where a widower learns his son’s autism is a rare ability where numbers connect patterns of seemingly unrelated people. There were only two seasons and I hope we stick with this but I can understand why it was cancelled — an amazing idea that may be difficult to maintain to a high standard and enduring interest.
Between, Clarissa Johal
I love this writer’s work. I feel her stories deserve a place in a far larger market. Her imagination cannot be faulted, though I’m sometimes left feeling her books are one edit or two away from being perfect. I found Between to be a little disjointed and the ending felt a little rushed compared to the rest of the pacing but as always, a bright spark of an idea and powerful imagination is at the heart of the story.
Breakfast at Tiffany’s, Truman Capote
A perfect example of how different a film can feel from the book it’s based on. Hepburn’s performance and the alterations made for the screen gave Holly Golightly a pained aspect to her existence that doesn’t seem to so readily come across in the book. While I can admire it as a classic work and well-written, I found none of the characters likeable, not that I found them much better in the film, but they showed a few saving graces that seems lacking in the narrative.
Toast, Nigel Slater
Nigel Slater’s memoir told around the meals he shared with his family may be unique in its style and the childhood’s remembrances of joy at the simple pleasures instilled by food. For anyone of a certain age it will spike the memory, and for those too young to know what people used to eat it will be a history lesson told with real humour. His recollection of the dreaded crates of (often warm) yucky milk that would arrive at school is one I share, only had it been me made to stand at the front of the class until I drank it all, I would have happily stood there all day rather than even make the attempt. It’s hard to believe we used to consume even half these things, even more difficult to believe some still exist. Along with stories of how children caught diseases such as measles and mumps (not in the book but when one child caught something, the others were sent round to make sure they caught it too so they all got it over and done with) with no talk of vaccinations may sound shocking now, but was a commonplace occurrence then. Some memories are told with the innocent callousness only a child can muster; as an adult Slater has said he regretted being so harsh, but I think it’s forgivable as these are childhood recollections not tempered with time and understanding, more real for all that.
Monsters, Emerald Fennell
A book I picked up in a charity bin with a few others, I think this one caught my eye because it’s set in Fowey. I believed it to be a children’s book because of the ‘golden rule’ in publishing that if a book’s main protagonist is a child, the book is for children. With that in mind this black comedy first struck me as surprising. I thought this would be a story about two children who commit murder, not murders that captured their interest leading them on a downward spiral that seems to more often delight them than scare them or bring about the ‘change’ most plots put in place for their protagonists. It’s surprisingly funny in places, well-plotted and worked out. I’m uncertain the tone quite sat well with me for 13-year-olds. At times, some of their vocabulary seemed too sophisticated, at other times their behaviour too immature, but I’ve only personal experience on which to base my assessment and others may feel differently. This is an entertaining quick read, sort of like a child’s book for adults. As for two children you wouldn’t want to meet (the tagline), I couldn’t help thinking I wouldn’t want to meet any of the adults either. I’m happy to say I’ve come across none of these characters in Fowey.
My longing-to-work-on Dark Fiction novel has taken yet another back seat. This seems to be the year of getting side-tracked. When asked to take part in a series of any kind the writer faces dreaded deadlines. There are other times in publishing but when commissioned, I’m feeling those are the worse deadlines of all. I had to stop what I was doing to write a book proposal and, as I’m mostly a pantser (stories come often as if I’m reading a book), I had to do a little writing to get going. This is opposite to most fiction publications where the writer must finish the book before submission (factual books work a different way). With the big six publishers a writer may then be commissioned to write another two books, so it’s a three book contract, but often it’s a one book at a time deal — the finished article put forward for consideration. This time I had to work out a story beforehand — a job more suited to writers who prefer to pre-plot.
I also ended up editing an older work for re-release to which I’m adding a third title and turning three novellas into one full-length work. And there was all the paperwork that goes with the submission: the blurb, the cover art request form etc. I also polished off a longer short story I hoped a publisher could make use of. More on all this as and when. And there‘s another short story I’m still not in a position to discuss. For now, this month, the re-release of my LGBT romance ‘A Not So Hollow Heart’ happened, re-edited and with about 3000 words added.