Update May 2022

Hi Everyone!

AT HOME:

Late with May’s news as we’ve away on holiday, but more on that next time with maybe a photo or two.

FILM/TV:

Still re-watching Deep Space 9, and the last season of The Rookie. Film wise, we were spoilt for choice, though not had a lot of time to watch any. Here Today starring Billy Crystal turned out better than expected and not at all what we expected going in. Highly recommend this story of an unusual friendship. Ghostbusters Afterlife is wonderfully nostalgic for fans of the original movies, and a delightful tribute to Harold Ramis.

READING:

Ghostbusters (The Original Movie Novelisations Omnibus) Richard Mueller, Ed Naha, narrated by Johnny Heller (audio)

Well read, with a hint at some voices of the characters in the films. Fleshes out the character’s thoughts, though not hugely. Unnecessary if one has seen the films, but I still found them enjoyable as I could easily picture the scenes in my mind.

Big Trouble, Dave Barry

In some ways ludicrous (if airport security was ever this lax, we’re all in trouble), but it’s meant to be. I’ve seen some comments mentioning a lack of character depth, but it’s not that kind of story. I wouldn’t call it as funny as it’s marketed to be, but it made me smile and I might even read this again some day or check out more of this author’s work.

Something Wicked This Way Comes, Ray Bradbury

I thought I’d read this when young, but I remembered little of it. It’s more likely someone told me the story, because had I read this, there’s no way I would have forgotten the writing. I can’t help thinking had I ever turned in a story written in such a style, my teachers would have thrown fits, siting grammar rules until I grew dizzy. But this is the indomitable Bradbury and not only does he know how to break the rules, he does it so well. Some of my teachers would have cited that many sentences don’t make grammatical sense, and they don’t in a purist way, but what they do is conjure up sensations and emotions. Take the title alone, which at least one teacher would have told me should read Something Wicked Comes This Way… but it would never have been so memorable; would never be so visceral. Plus, there’s the multi-layers of subtext: a book about good and evil, being young, growing old, accepting these things, not harping on them, not worrying about them and not fearing them so much one forgets to live, to enjoy and feel blessed every day. It also speaks of friendship and family, of love, and of laughing in the face of despair as a way of pushing back the darkness — the sorrows of life and the eventual darkness. I’m sure others will find their own interpretations, but for me, this book covers the gamut of life and death in all its joys and woes. Chilling, full of dread, atmospheric, mesmerising, thrilling, captivating, and masterfully executed.

Operation Wildcat and Other Stores, Edited by Tim Gambrell

Not sure I should review this as it contains one of my stories, so let me just say my favourite idea in the book is Honourable Discharge by Chris Lynch, though I also liked Old Fowlkes’ Home by Martin Parker as it’s an Anne Travers story.

The Cinderella Deal, Jennifer Crusie

I started this immediately, thinking this was far from the author’s best. Still, I wanted to love this book, though I dithered between liking it and loving it… until I finished. On the one hand, the story’s contrived, but stranger things have happened in life. And there’s something endearing about these opposites attract tale, where people aren’t all they seem despite their bluster. Think of it as an outrageous rom-com and sit back and enjoy getting the most from this story of a marriage of convenience that’s anything but. I eventually came thoroughly to enjoy this story of falling in love… after the marriage. No big surprises there; this is a romance, after all. What surprises the most are the characters of the protagonists and the way they help each other change in rewarding ways.

Cemetery Drive, J.T.Wilson

This book turned out to be an interesting look at life and death in a style reminiscent of Douglas Adams or a favourite stand-up comic. Amusing more than laugh out loud, but entertaining and well-written. A good choice for anyone who likes to see the character of Death personified.

A Spring Affair, Milly Johnson (audio read by Colleen Penderghast)

Not usually my sort of read; however, I really like the narrator, so gave Milly Johnson’s work a go. The author’s done exceptionally well, creating the ultimate in manipulative people, and people who too often allow themselves to be manipulated. The story begins with the main character giving her home a spring clean, bravely chucking out all the detritus in her life when the reader knows she has one major piece of rubbish she most definitely needs to get rid of.

WRITING

Alas, I grew tired of the story I’ve been working on. Instead of continuing to torture myself, I shelved it. Maybe one day I’ll pick it up again and be delighted and maybe I won’t and be disappointed. Right now, I want to work on my Dark Fiction novel, and maybe stretch my short story skills, which I’ve not done for some time.

Stay happy and healthy!

Sharon x

Update April 2022

Hi Everyone!

AT HOME:
Got out to see some welcome signs of spring. Visited a couple of garden centres, including a new one, and got some much wanted plants. Now, to keep everything crossed the slugs won’t eat them. Also took a long trip to visit relatives and booked some breaks for later this year. I’ve been limping around on a sprained ankle because someone had put in a new drive by covering it with stones and grit and it was covering the road. Alas, rounded off the month with some sad news regarding the death of a dear friend.

FILM/TV:
Watching the last two seasons of Sleepy Hollow as we never saw them after our Sky box melted several years ago. I have mixed feelings about the show (especially the crossover episode with Bones — so peculiar to cross a supernatural programme with one so focused on science; it didn’t even feel as though the actors hearts were in it), but think it’s cast well.

Finally finished re-watching Star Trek The Next Gen, and now re-watching Deep Space 9, though quite a few of the early episodes seem to rely on the crew acting dumb to make the plots work. One series that surprised us was Only Murders in the Building, starring Steve Martin and Martin Short. Very well written. I see there’s a second series and we’re definitely interested.

A quirky little film is From the Vine, starring Joe Pantoliano. An Italian/Canadian production it tells the story of a man who makes a surprising career decision because of an ethical dilemma and returns to his roots to find a better life. Nothing exactly new about the plot, but it’s engaging.

READING:
The Cabin in the Woods (The Official Visual Companion), Drew Goddard & Joss Whedon
Companion book to the film which features interviews, cast comments, the script, design work, and concludes with a creature feature which I feel could have been longer, but I’m guessing they wanted to leave some surprises for the film alone. Also, a warning — the print is tiny. For anyone who loves the movie, this is a kind of must have. There’s a lot here that made me want to watch the film frame by frame to catch all the detail I’m sure I’ve missed, namely the wealth of creatures. I warn anyone who hasn’t seen the film and wants to, not to look at the book first. There will be no shocks left.

Midnight, Dean Koontz
A re-read for me. Not having read this book for more years than I care to remember, I confess I’d forgotten the story. This is a tight science-fiction thriller with the meaning of life subtext. Think The Island of Doctor Moreau crossed with any well made FBI crime show. And as with classic books like Frankenstein, there’s the underlying question of just because humankind can do a thing, it has an ethical necessity to consider whether it should. Alas, I don’t think the villain’s backstory with the Native American holds up well in more modern times; it’s cliched even down to the sense of this person being the source of corruption. And I’m not even sure it’s all that important, but there’s much to like here. I like what Koontz has to say about thought vs feelings and vice versa in this, and how humans cannot live without emotion. As is often the case, the author also includes a perfect doggy hero.

The Boy in the Striped Pyjamas, John Boyne
A well-known and international bestseller, this is a book set during the Holocaust and telling the story from the point of view of an innocent boy. On the one hand, this should be a classic for generations to come and required reading; indeed, many teachers in the UK use this for teaching already. However, Bruno would not have been so unaware; as a German child of the time, he would have been part of the Hitler Youth movement, taught (brainwashed from a young age) to swear oaths to support the Fatherland. The book suffers from other faults such as the unfortunately flat character of Shmuel, the boy Bruno makes friends with — a child who more likely would have been instantly murdered at Auschwitz, the obvious setting as Bruno calls the camp Out-With. Sadly, the book falls short by showing the atrocity though one point of view, and a blinkered one at that. I can’t help feeling this would have a greater impact on today’s youth were the reader to see through the eyes of both boys revealing the true horror in the camp. Still, simply told yet disturbing, this fictional work of a factual era is appropriately unsettling, and as a teaching tool is a fine stepping off point for the young. I felt irritated that even a 9-year-old could be so ignorant of the world but realised this reflects one facet of reality — that too many, aged 9 and older, remain or even choose such ignorance. Although I worked out the ending, there’s still something chilling about the conclusion and the closing sentence is one hard to forget.

Lord of the Flies, William Golding (audio book, read by Martin Jarvis)
Have to confess I’ve never read this, so I thought I’d listen to it as a compromise. Owing to its reputation, I expected a far more brutal story. No doubt much is lost owing to what once was shocking pales in significance as time progresses. Still, undoubtedly a classic and deserving of such status.

The Cuckoo’s Calling, Robert Galbraith
I bought this when it first came out, but have dithered whether to read it. Still, as I paid for this, I at long last got around to reading J.K. Rowling’s offering of her first detective novel. Cormoran Strike is a vibrant character and, along with the pairing of his Temporary Solution assistant, makes for a hard to forget duo. I decided on two killers and one of them was correct, but it took a long time for me to come up with a deduction. This was a surprising and well plotted read.

Bob The Book, David Pratt
Bob is a gay book looking for the love of his life. It’s a fun concept, a quick read, and a good allegory for life, love, and relationships. The story shows we don’t always get what we want, or we find it in a way that’s unexpected. Equally, it says that what we want isn’t necessarily the best thing for us or even what we need. And I’ll never be able to look at a book with a broken spine the same way again.

The Secret Scripture, Sebastian Barry
I understand this is possibly one of three novels starring the McNulty family, so perhaps reading them all would be more fulfilling. In this volume, the story of Roseanne is unsurprising given the way women have been treated historically, yet disturbing and anger inducing to a modern-day female audience, and I hope a male one. Ultimately a sad tale, and atmospherically put together. Unfortunately, although I empathise with Roseanne’s plight, I didn’t connect with her as much as I would have liked, and about halfway through I lagged and struggled, meaning this took me far longer to finish than it should have. Still, it’s well plotted, with an end that will surprise some (though I guessed the outcome, thinking the author surely wouldn’t choose it); therefore, will satisfy some, annoy others. It’s a good book, but one I could take or leave.

Norse Mythology, Neil Gaiman (audio)
I’m a Gaiman fan though I’ve not read this one. Not sure what I’d make of it in print, but I found the audio dramatisation thoroughly entertaining. This was an hour and a half of fun with a varied cast, including the author. The telling of Norse Mythology told as someone telling a story.

Alien: River of Pain (cast dramatisation), Christopher Golden (audio)
A rather unnecessary telling of what happened to the settlers at the start of the film Aliens, though entertaining enough to appeal to some Alien fans. This tells us what happened to Newt and her family, and the other colonists before Ripley & Co arrived to find out what happened to them.


The Very First Damned Thing, Jodi Taylor (audio)
A prequel to a series of books of the Chronicles of St Mary’s featuring a group of time-travelling historians, this one read by the author. It’s entertaining and an interesting idea, and perhaps adds to the series for invested readers, but I’ve not listened/read any of the other books and I’m not sure this made we want to start another series, particularly as it has mixed reviews. Still, I like the idea enough that if I had enough time, I’d try the first book, so I can’t truly recommend one way or the other.

Anyone But You, Jennifer Crusie
A sweet, fun, feel-good romance featuring two people who are too good at assuming what the other one wants based on their own insecurities. This is a great summer holiday read. And if you like dogs, you’ll love Fred.

WRITING
Working on re-leasing a previous book and of turning it into a trilogy, so I’ve been writing that. Still not sure it will happen, but I had an idea which has brought me closer to making it a reality. As soon as I’ve finished this, I’ll be working on my Dark Fiction novel again.

Stay happy and healthy!
Sharon x

Update Dec 2021

Hi Everyone!

AT HOME:

Alas, my planned acupuncture got cancelled for various reasons, but I struggled through travelling in pain, so got to spend Christmas with relatives, then returned home for my birthday spending a few quiet days to try to get me and life back to ‘normal’ ready for the new year.

FILM/TV:

Watched a few Christmas films and has the age old debate of whether Die Hard constitutes a Christmas movie. I lean towards no. Just because a film is set at Christmas, it does not make a Christmas movie. However, what surprises me is everyone focuses on Die Hard but not Die Hard 2. Definitely a Christmas setting there. We watched both. One of my favourite Christmas films, is the original version of The Bishop’s Wife, starring Cary Grant and David Niven. One of those we watch almost yearly.

Watched the eagerly awaited season of The Witcher. I hope Netflix carries this through to the full conclusion covering all the books, and I know the books are a series I will reread one day. Alas, we learned Netflix won’t be making another series of Cowboy Bebop. Torn about that. I can understand why it failed, yet we would have watched.

Still watching Castle. Catching up with seasons 11 and 12 of the animated Archer. And we’re watching the US version of The Office. Whereas I usually dislike American adaptations of UK shows — the sense of humour doesn’t often carry well — I have to say The Office is an exception. We enjoyed the English version, and equally like the US show. It has quite a British film and I often forget I’m watching a US series.

READING:

The Invisible Life of Addie LaRue, V.E.Schwab

Lovely in hardback with a simple raised copper and blue design. Look under the dust jacket to see the attention put into every detail. The first quarter of this book felt a little overlong though I put that down to the tense not being one I favour, yet by the time I reached the end, the style seemed perfectly suited to tell this story. The more I read, the more I considered what life would be like without ties, without friends or family, and whether, at least sometimes, we truly need to be careful what we wish for. I believe I picked out at least one continuity error; however, despite any flaws, I thoroughly enjoyed this beautifully painful dark fantasy with a romantic subtext. A book which crosses genres. Someone destined to be forgotten makes for an unforgettable character. I loved her rebelliousness most of all. I even felt some affection for the terrible ‘darkness’ which transforms her life, and wondering who would truly win the final ‘battle’. Heart wrenchingly emotive with an ending which may require tissues.

Invasive Chuck Wendig

If I graded this along with my favourite books, I might drop half a star, but basing this novel on its own merits and the genre, it’s a solid 4/5. One review on the cover claims it to be one for fans of Michael Crichton and I can understand why. Its fast pace and solid imagery makes for a book a reader can plough through. The threat feels real, as does the inevitable countdown to time running out. The march of endangerment is as inexhaustible as the unrelenting insectile invasion, though this is no B-Movie. There’s a disturbing note of truth on the evolutionary, environmental, and genetic interference scale that’s all too sadly believable. Of course, this is a stretch of the imagination, but in this type of story, that’s what the reader is looking for. An enjoyable read, though not for anyone suffering from Myrmecophobia (fear of ants).

A Simple Plan, Scott Smith

After reading The Ruins, I sought other work by this author, who appears to have written only one other fiction book. Most stories require the reader to root for the antagonist. Oddly, this book required no such investment for me. The characters are quite unpleasant, taking things that would shake many of us to the core in too casual a stride. It’s the excellent writing, and the swiftly escalating events that kept me riveted to this story. Having said that, it practically pushes those events to their limit. The reader needs to set disbelief on an extremely high shelf. With The Ruins, this was easier to do because of the supernatural circumstances, but this story is a thriller with a setting of reality making that harder. Still, I enjoyed the book to the last 100 pages where the repellant characters, particularly that of the lead, became far too irksome. I enjoyed the story, and appreciate what the writer did, but also found myself irritated even though I feel it was well worth reading. The closest person to an innocent (other than the baby and dog) is Jacob, owing to his childlike and easily led nature. Still… it’s something to create work that pulls the reader along when there isn’t a main character to cheer on. NOTE: It’s only one scene and over fast, but those who cannot abide animal cruelty possibly should avoid this; for me I struggle, though it ‘depends’ on the story. Here I felt the author made a terrible mistake, and it’s unnecessary. I get the function of the scene, but by then the reader doesn’t need to be reminded how low the character has sunk. I want to give this book 5/5, but because of a few quibbles, I must knock a star off.

Krampus the Yule Lord, Brom

Not the tale of terror I expected, but there’s still much to like about this book, not least of all the drawings by Brom, artist and author. I didn’t find the pace terribly fast, and I questioned Jesse’s patience/impatience, which seemed erratic, even though Krampus doesn’t give him much choice. In short, I would have liked the book to be a little more emotional, both in the feelings portrayed and what it invokes, but for anyone who likes the darker side of Christmas tales, this is easily deserving to be identified as classic.

Naomi’s Room, Jonathan Aycliffe

Some passages in this book feel more tell than show, no doubt because it’s written in first person, making the recollections of the protagonist’s investigation into the background of the hauntings occasionally a little tedious, but the spooky happenings were more immediate, speeding by, and kept me riveted so that I finished this book in a single day. The supernatural occurrences are unsettling as they should be, though not frightening. Still, the picture of child murder and the lonely cry of the restless dead is well portrayed, making Naomi a painfully real character. Surely a must-read for those with a liking for ghost stories, though some elements spoilt the story for me. Alas, I’m unable to say more without spoilers, and when reading a horror novel (which this is undoubtedly is), it’s hard to be selective regarding scenes of torment. What disturbs one reader another person will shrug off. What seems ‘acceptable’ is a matter of semantics. I thought this would be an excellent film.

WRITING

I plan to do a final edit and then submit a Work in Progress which until contracted I’ll call ST for now. I’ve a preliminary date for publication for March 2022.

My last publication in 2021 for pre-order was my short story, The Gift, in the Lethbridge-Stewart anthology Operation Wildcat published by Candy Jar Books.

http://www.candy-jar.co.uk/books/unitoperationwildcat.html

Stay happy and healthy!

Sharon x

Update November 2021

Hi Everyone!

AT HOME:

There are a few craft markets around from now until the end of the year and we’re visiting the odd one. Our local market is going to be open for a late night once a week for the next three weeks. I’ve booked in some more acupuncture, though right now just hoping it calms things down and helps make me more comfortable, as I could only get 2 sessions until the new year.

FILM/TV:

Finished Squid Game, which had a bit of a shock ending that had me swearing (can’t reveal why without spoilers). Been re-watching Castle as we never saw the finish and it’s been a long time. And started Cowboy Bebop, which is Netflix’s attempt to take an Anime series and make it live action. It’s basically bounty hunter western in space. Does it succeed? I don’t know as I’ve not watched the source material. I think if not for John Cho playing Spike Spiegel, I might not be so taken with it, but it’s visually striking and ticking along nicely so far.

READING:

Listened to Alien: Out of the Shadows, by Tim Lebbon. Not a bad dramatisation which fits into the Alien universe between the first Alien film and Aliens the second in the franchise (it doesn’t appear to at first, but it covers this towards the end). Wanted to listen as Rutger Hauer reads the part of Ash and the woman who reads the part of Ripley sounds remarkably like Sigourney Weaver, which adds to the experience. Not that the story is faultless. A lot reminds one remarkably of characters from the first film, and it’s clear Ripley survives or she wouldn’t have appeared in the second film, so ultimately this adds nothing to the Alien universe. Still, it’s nostalgic fun.

Nightflyers, George R.R. Martin

Shocked to receive such a slim book, but the story within is only a novella. It will be interested to watch the Nightflyers Netflix series after reading this to see how they’ve extended the material, for surely they have — there’s hardly enough here to make a long film. I found the story a little hard to get into, though once things go wrong, it got interesting. The concept behind this sci-fi jaunt is interesting, though hardly unique, and something about the overall story seems weak. I wish I’d seen this can also be bought with other stories rather than have paid for it as a separate book. I’m glad to have read it, but don’t feel I would have missed much if I hadn’t.

Kill Creek, Scott Thomas

Although the character of Sam McGarver is the protagonist of this novel, all four fictional authors (McGarver, Cole, Slaughter, and the unforgettable Moore), are in a sense all main characters of this trip into horror. And like the work they produce, they represent various facets of the genre, which makes this (in some small way) a book that questions the meaning of horror as much as it’s a part of the category itself. Undoubtedly a slow burn, this book will naturally invoke mixed reviews, but it instantly drew me in and I happily went along for the ride. The horror comes in snippets until it reaches an ultimate pay-off. I throughly enjoyed this, though it’s not for those who want an in your face terror fest, or those who don’t have longer than average attention spans. My only negative is I have to wonder if people could carry on moving while suffering such severe injuries even though they’d be running on adrenaline, but this is fiction, would make an excellent film, and we’ve seen people suffer through worse in the make-believe world of the cinema.

Fevre Dream, George R.R. Martin

Martin is a writer best known for the Song of Ice and Fire series (A Game of Thrones), but if readers were to overlook his other work, that would be a pity. Fevre Dream is an easy reminder of what sets this author apart. A richly drawn tapestry of life aboard steamships ferrying goods and passengers up and down the Mississippi, blended with a gothic helping of vampire mythology. Most striking of all is how the author brings the steamboat captain, Abner Marsh, alive in full coarse realism. Never has a protagonist so ugly been so wonderfully memorable. The story at once romanticises its setting and characters, simultaneously making them powerfully gritty. It’s possible to feel the heat and damp and oppression of the steamboat work, the river, the weather, and of society itself. There’s something classic about this book (references to Mark Twain abound entwined with Bram Stoker, and that’s a fair definition). This is no lightweight vampire tale or novel. Good for those who like a richly portrayed backdrop to the action. Atmospheric, and beautifully layered storytelling.

WRITING

I finished the current Work in Progress and have now set it aside for a proper read before submission. I’m toying with adding a third book to another project, but it’s too soon to tell.

Stay happy and healthy!

Sharon x

Try TO get it right

There is no such phrase as ‘try and’. No one tries and to do something. It’s try to. Try and is grammatically incorrect.

In a sentence the main verb is Try, but another verb comes after the And, so you have two actions. You’re trying AND doing something else. When you’re trying to do something, you’re not doing it, so you have two parts of a sentence, one of which isn’t complete. A person can’t try AND do a thing at the same time. You can try to (make the attempt), or you can do (in which case the thing is being done). You cannot be trying and doing simultaneously.

To help, break such a sentence down.

I’m going to try and get my aunt to take me with her on holiday.

I’m going to try and run a marathon.

Try and get me some vegetables while you’re down at the shop.

I’m going to try is a statement of itself. To grammarians, it reads as though part of the sentence is missing.

I’m going to try (to), and get my aunt to take me with her on holiday.

I’m going to try (to), and run a marathon.

Try (to), and get me some vegetables while you’re down at the shop.

None of these make sense, so something is missing. The and is a cursor to another action. You’re going to try to (what?), AND you’re doing something.

I’m going to try to (save for a break), and get my aunt to take me with her on holiday.

I’m going to try to (take up exercise), and run a marathon.

Try to (remember your chores) and get me some vegetables while you’re down at the shop.

Some people will argue that try and is simply informal speech, and therefore acceptable sometimes. To a point I agree, but not because of the reasons many of those sites specify.

If seen in a book (I feel) it would be just about okay in dialogue or if a book is written in close first person point of view, where we’re hearing a more casual rhythm of someone’s natural speech in the narrative; however, when you listen to people saying this, a good portion of those (I argue) aren’t even saying try and. It’s more abbreviated even than that. It’s try ’n’.

Simply put, it takes more effort to say try to, and over time and (I’m sure) owing to dialects been shortened to more of a sound than anything else. The ‘to’ is shortened the way people say gonna, instead of going to.

I’m going to try’n go out. I’m going to try’n buy that jacket. These are simply lazy ways of saying try to.

When I see try and in narrative I’m with the grammarians who argue it’s wrong because it pulls me out of a story. But I might use it in dialogue because speech should sound natural. But editors will spot this, and many will correct the writer or at least question this. Worse case, they’ll feel the author cannot grasp the correct use of grammar.

Update Oct 2021

Hi Everyone!

AT HOME:
Went to a local market for the first time in… it’s got to be 20 months at least. Still keeping ourselves as safe as we can (too many seem to have forgotten you can still catch the virus whether you’re vaccinated), but trying to have something of a life. Sounds a simple thing, but it delighted us to buy pasties, sausage rolls (fabulous sausage, cheese, and red onion marmalade flavour!), fresh bread, and a lovely bunch of roses. Time out definitely makes you appreciate the simple things in life.

FILM/TV:
Watching Squid Game on Netflix along with what seems most of the population — a rather brutal live or die dark fiction drama, but Episode 6 was so sad and a real pull on the heartstrings. Episode 7 had to potential to give me vertigo. Only two episodes to go.

Catching up with BBC’s Ghosts, which I watch mostly because it’s so close to something I wrote as a child, it’s almost like seeing my idea come to fruition. Of course, I was too young to pull it off, but the basic idea was the same. Proves timing is everything, and that authors share ideas all the time.
We finally got around to watching No One Get Out Alive. Alas, as I expected, it’s nowhere near as good an experience as reading the book, in part because it’s rewritten and reset for an American audience. Still, the film version had some concepts I liked, but whatever one thinks of the film, I’d recommend the book.

READING:
I have now started listening to audiobooks, a thing I’ve done in the past, but gave up because I often found my concentration wandering. I would need to rewind too often. Fortunately, I’ve discovered I can listen when cycling, when drawing, and when preparing dinner, so I’ve added audiobooks to my ‘reading’ experience again. There are also a lot of dramatisations worth paying attention to. I’ll include and mark any books which I’ve enjoyed audibly.

Night Shift, Charlaine Harris
The last book in the Midnight series, this ties up the loose ends nicely, although I felt the big showdown falls back somewhat on a tired cliche. I felt Manfred was a little under-used, seeing as he’s been the main character from the start. Here, all the characters get their screen time, and it’s the characters that make the books entertaining. Now I’ve finished them, the series almost feels too short. Of course, Mr Snuggly (a talking cat) had to have the last word.

The Ruins, Scott Smith
A book with a slightly misleading title, in that it led me to expect adventurers finding something terrible buried beneath the earth or in some old tomb. If I say it’s about a strange vine, no doubt many will want to move on, but this book’s saving grace and what lifts it above B-Movie status is it’s so well written. There’s no letup, and no doubt left in the reader’s mind. The narrative draws you into the characters’ plight, makes you root for them regardless of their personalities. Makes the reader plead for a rescue. The narrative, sadness, predicament, and dread are simply relentless. This completes for a read of the year.

Imaginary Friend, Stephen Chbosky
This is a tough book to rate. The writing is too basic for many adults, yet age appropriate for the protagonist who is a child. Note: The golden rule used to be if the main character was a child, then it was a book for children because publishers believed adults wouldn’t be interested in what happened to children. We’re somewhat past this now, following on from the success of the Harry Potter books which gained an adult audience. However, there’s not enough to differentiate between the characters in… well, character, or age. And I imagined the children as far older than purported to be. What drives this book — the purpose of the book, if you like — is subtext. I didn’t find the horror in the book all that horrific because of the child-like narrative. The author uses far too many fragmented sentences for every paragraph to be enjoyable. Though I don’t know what I’d cut, this is a HUGE book. Far too long. The subtext covers many things… seems sometimes to talk about how we treat each other, how people operate in society and behave towards their neighbours, our family and friends, as much as it includes religion — a criticism I’ve seen, though I’m left uncertain whether the author is for or against. It touches on the personal note and a bigger picture. The story has stayed with me, but I’m uncertain if I care about that the book offered, and though there was no way I was going to stop reading and I’m an avid and determined reader, the book was too long even for me because it became repetitive in the last quarter. The book has something to say, but the question is whether you’ll want to hear any of it. There are several deliciously creepy parts. There are characters you want to know more about and become invested in, but I’m not sure that for such a long book there was a big enough pay off for the characters I cared about. For every plus, I found a negative. I’m honestly torn. Though the scope is impressive, it left me with a feeling of dissatisfaction. I neither like nor dislike the book.

Get a F*cking Grip, Matthew Kimberley (audio book)
A five and a half hour giggle with the only self-help book anyone truly needs. May also be the only proverbial kick anyone needs. We all know these things — the book tells us nothing new — but it states more than a few home truths many people won’t enjoy hearing and won’t let themselves pay attention to. Yes, there’s some silliness too, but the author puts all the advice you ever knew and didn’t want to listen to together entertainingly, and has the perfect voice to present it.

Ask an Astronaut, Tim Peake
I’ve taken several weeks to read this book, dipping in an out, but having loved, ‘Hello, is this planet Earth?’, Tim’s pictorial look at travelling to space reading this was a simple decision. Tim has put together a fascinating and informative book that answers every question most of us would ever want to ask and answers them in a way most anyone can understand. From training, to launch, to working in space, what a spacewalk is like, and how it feels to return to Earth, as well as what’s coming in the future. A fun narrative and must-read book for anyone who has ever looked up at the stars and wondered what’s out there.

Pine, Francine Toon
I found this story interesting, and the book is an easy read. It’s certainly atmospheric, even mystical, but I found small sections felt choppy. Some conversations likewise, perhaps to lead the reader astray. At first, I thought I was reading a ghost story. Ultimately, as much as some of the book is lovely, other parts feel flat, and the reveal happens too fast. The supernatural elements never reach a satisfactory pay off. As a debut novel, it’s good, but I have to wonder what the editorial staff were thinking; they’re there to work with authors to make sure the book meets its potential, and this book leaves too many threads blowing in the wind. Even down to Lauren’s apparent bullying at school, and her questionable ability to weave some kind of spell to put a stop to it — is this real? Or the desperation of a tormented child? I can only think the author intended to leave such questions unanswered, which would be fine if there weren’t so many of them. Despite this, I enjoyed the read, though the book is going into the charity pile.

WRITING
I’ve sorted out my work in progress and hope to have a finished book by the end of the month. Publication wise, next February might be good timing owing to the subject… providing I’m happy with the finished result. Anything I’m dissatisfied with gets trunked these days. One thing I would like to do is to write some more short stories.

Stay happy and healthy!
Sharon x

Got or Gotten?

Editing requires compromise between editor and writer. Editing shouldn’t occur in one direction, but I’ll likely talk about that another time. The point is edits should be open for discussion, so it may be a surprise to hear me say there’s one word I’ve always insisted not appear in my work. That word is gotten.

In the USA and Canada, gotten is the past participle of got (some say it’s also the past participle of get, but it’s more complicated).

In the UK got is the past participle of get. UK dictionaries list gotten as North American and Archaic.

To put it another way and further explain, the past tense of get is got, but in British English, got is also the past participle. In American English, it depends on the situation. Though it’s a little hard for me to get my head around (seems unnecessarily convoluted), it depends on whether the circumstances are ‘static’ meaning possessing or needing, or ‘dynamic’ meaning acquiring or becoming.

So one might say, I got a new dog, but equally, I’ve gotten a new dog. In both cases, a Brit would simply use got.

Both versions are ancient, but the simple got has been the accepted use for so long in the UK most people don’t know gotten ever existed or even does. For a long time when younger if I came across gotten in a book, I assumed the writer was using slang, particularly when the word formed part of speech. To be fair, for someone who had never come across the word in an English lesson, and for which it sounded so jarring, it’s not an implausible assumption to make.

There are plenty of words which become part of the British language, and I don’t mean those we’ve imported from the United States, particularly by watching an influx of American television shows. Many words in many languages originate from other sources, and even form the basis of words we know today. Many of these enrich our vocabulary, but gotten has never worked for me. Neither does scarf (as in scarf down food — in the UK we would say to scoff down food).

So, why do I dislike gotten so much, especially as it’s one of those words creeping back into the English language? Language everywhere has always been pliable. New words form; equally words drop out of usage. Gotten ‘to my ear’ sounds lazy (and I stress only what I hear, not in criticism of its use elsewhere), because it sounds like slang. Simple as. Also, the UK use is far simpler. But more than that I’ve written mostly English characters based in the UK (or in space and yes, some fantasy settings), but for those contemporary works, I know most British characters wouldn’t use the word, so it makes no sense for it to appear in the narrative. I would argue the same in the scarf/scoff example. If I were writing an American character, I would equally insist on word appropriate language.