Author: Sharon

I read all three of Jack Flint trilogy (The Redthorn Sword, the Spellbinder’s Curse, The Dark Ways), by Joe Donnelly but am reviewing them as one because I’d say the same for them all, even though my favourite was The Dark Ways. Note: the books seem also to be available under different titles.

I came across Joe Donnally’s adult books and enjoyed the first read so much I bought his other books. I got this children’s trilogy with it in mind to donate to the local library after I read them, which needs such books. This series definitely shows imagination. I would have loved Jack’s adventures when I was a child, and I would have hated the parts where the horses get hurt. Filled with strange people and beasts, portals to other universes, giants, trees that come to life in different forms, magic, and threat, along with bravery, loyalty, and love. Jack, Kerry, and Corriwen form an excellent trio for this trilogy, with weaknesses and strengths that balance them out well. They’re listed as children’s books, but the amount of violence and killing may therefore surprise some, even though it’s presented lightly. Jack seems to be the only one who feels deeply sorry, and they all seem to handle the trauma too easily for 15-year-olds. It’s a difficult balance in a book to master and is unlikely to please everyone. Still, I was reading much darker books by the time I was a similar age (Herbert, King, and I’d read books like Oliver Twist when I was 8), so for a modern audience such details are likely tame now.

The Changing Man, Tomi Oyemakinde

I’m uncertain what to say about this book, except I’m clearly not its intended audience. I picked it randomly from my to-be-read mountain, not knowing it was Young Adult. Overlooking the rather awkward way the teens interact, for the first half I felt as though I was settling into a cosy horror of the urban legend variety. Is that how teenagers talk these days? I’m at a loss. Even so, the dialogue and action seemed erratic age-wise, so sometimes I struggled to keep in mind how old these teens were reportedly supposed to be. Usually, the age of the protagonist goes a long way to show the age of the intended reader, but to me these ‘children’ seemed alternately older, or younger, and finding time to giggle in a moment of crisis made their behaviour odd and childish. The pacing fluctuates almost as much, though it’s an easy read. The big reveal… well, admittedly, I did not see that coming. It’s so bizarre it’s definitely surprising. At that point, I almost decided not to finish, but curiosity won out. Not creepy or scary, and in the end pages as it was wrapping up, I’m sorry to say I was laughing. It’s not a terrible book, and will find a readership, but I’m guessing that target audience will be as varied as the plot. I even checked to see whether this was self-published, but no, it’s from a well-known publisher. I’m surprised this made a splash in the market, though I can see potential in the author.

Not a lot of reading this month owing to being busy and time away.

What You Are Looking if Is in the Library (audio), Michiko Aoyama, read by various
A charming pleasant listen with some life advice told by various characters who all visit a library, given guidance by the enigmatic librarian. Not sure what I was expecting, and I wouldn’t usually have chosen this, but some elements resonated and had me nodding. It’s too easy to get wrapped up in the worst occurrences when things go wrong, and these stories give us that much-needed poke to remember there’s more than one way to look at many situations.

The House That Horror Built, Christina Henry
I liked a lot about this book, though I guessed the way it was going, and even though it seemed to take a couple of twists, I predicted the ending. The style strikes me as YA and if that’s the intended market, then the book is excellent, though there’s enough light entertainment here for adults. I’ve another book by this author to get to.

Old Country, Matt Query & Harrison Query
I enjoyed this much more than I expected to as I often dislike books told in first person in two or multiple points of view, but this worked well in this book even though third person POV remains the best. The parts I disliked were more to do with the realities of living in the wilderness, farm life, and having to hunt. There were also moments when I was silently screaming in worry for the dog, the best character in the book. I cared much more about what happened to any animal than any of the humans. Much about Harry actually irritated me, and I cared least about him… until late in the book. This novel is the perfect example of why flawed characters are not only interesting but necessary. The plot wouldn’t have worked without the juxtaposition of Harry and Sasha’s relationship. People do things without thinking or with the best intentions that affect the lives of others, and sometimes, this applies to Harry. The ending is satisfying although I feel it has a slight plot hole if one wants to be pedantic, but I can’t say why without giving everything away. Delightfully creepy in expected places, scenes that would make a decent film.

The Book of the Dead, Douglas Preston and Lincoln Child

A thriller with a blend of other genres makes this a highly imaginative difficult to predict book almost right up to the end, and then I only guessed a small part. When the truth behind the mummy’s curse at a museum comes to light, it’s as amazing as the curse itself, and the story didn’t end there. I didn’t realise this was one and the last of a series, but that made no difference to my enjoyment. I would read the rest if not for my toppling to be read mountain, but confess I picked this up as part of a book swap in a library, and I’m glad I did or I would never come across this. The only negative is it felt a little overlong in parts; I felt reminded of things I already knew a few times, but that in no way distracted from the fun.

Things We Lost in the Fire, Mariana Enriquez

I delved in and out of this book over a few weeks. The stories are heavy-going in the sense of their content because they are disturbing. The translator’s note at the end perfectly describes why. Hinted at as it begins with “A shadow hangs over Argentina and its literature.” The author’s subtle blend of reality and fiction make her stories resonate like a susurration in your ear, leaving the reader unsettled. Categorised as Gothic Horror, they are not that easy to define. I’m not saying I loved or even liked every story, but I could understand what the author has done and admire her skill.

Flowers for Algernon, Daniel Keyes

It’s easy to see why this is a classic. The story is as poignant today as when written, making even the least bigoted reader look at the issues of those with mental or physical ailments anew. The way people question Charlie’s worth by his level of intelligence is as important today as it’s ever been. Maybe more so, because now we truly should know better. I wasn’t sure I was going to enjoy this book, but am pleased to say I ended up loving it. An amazing novel, one that touches the heart and is well worth shedding a few tears for at the end.

Agatha Raisin and the Wizard of Evesham (audio), M.C.Beaton, read by Penelope Keith

At first, this didn’t seem to be your typical Agatha Raisin murder mystery, and it left me wondering whether anyone was going to die. I should have known better. Agatha ploughs headlong into mystery, murder, and mayhem as always, and, although sometimes you feel she should know better, as always, it’s a giggle to see how she solves the case.

The Husband, Dean Koontz

Another re-read for me. This book has a similar feel to Velocity. The action doesn’t let up, which creates the promised suspense. However, the protagonist’s bizarre childhood and one especially crazed kidnapper of the bunch require more than a modicum of suspended belief. One of them happening in a lifetime? Maybe. Both crossing paths stretch things, as does one convenient fortuitous event, towards the end, but this doesn’t distract from the overall enjoyment. The surprising twists make this book stand out, although I wouldn’t say this is the author’s best.

I haven’t read all that much in the last couple of months, partly owing to health reasons and partly because we’ve been away, so I am clubbing February and March together.

Gwendy’s Magic Feather, Richard Chizmar
In this, the second instalment in the Button Box trilogy, not a lot happens, though Gwendy’s certainly dragged through the mill emotionally. As a middle novel, this works well enough, although the tension in this one has a different feel to the first. On to the third.

Gwendy’s Final Task, Stephen King and Richard Chizmar
The most surprising detail about this book was the setting, and despite initial reservations as to the choice, I happily put belief aside and enjoyed the ride into space. Given the difficult task of saving the universe, Gwendy has to come up against a new adversary, this time her declining mental health. Highly imaginative, with timely references to what’s happening in the world now, and to King’s other works, this book was the best of the trilogy. I loved following Gwendy’s adventures with the Button Box throughout her life to a conclusion that requires a tissue or two, but I found the outcome wholly satisfying and the trilogy well worth the read. This also proves what I’ve always said, King is a storyteller capable of working in more than one genre, so if you’re expecting to be scared the only horror here has more basis in reality than in a horror novelist’s mind.

Velocity, Dean Koontz
A reread for me as enjoyable this time as the first. An easy thriller to get into and with a steadily increasing pace with a satisfying plot and conclusion. Having said that, the ending felt a little abrupt, even though I enjoyed it, mainly to the long buildup. That’s not a reason to avoid it. The pages easily turn and nothing about the story feels weak. Nothing is missing or overlooked. Neither is the story padded at all. An excellent idea perfectly written with a well-picked title. Once the initial hook grabs the reader, the book picks up speed in well-thought-out degrees. Enjoyable.

The Moon’s a Balloon (audio), David Niven (read by author)
This is an excellent insight detailing how Niven became an actor, and a nostalgic history lesson. The book carries the same charm as the author, but also shows a man who was as human as the rest of us, softening the clean-cut image of Niven and men of that time. I was surprised, bordering on shocked, at how fast he seemed to fall in love, and the swiftness with which he remarried after his first wife died, a situation I found peculiar, leaving me to question whether it was a sign of the times, or a gut reaction somewhat motivated by grief. There are some motivations it’s hard to pin down, and having loved Niven’s film work for so long, I had to accept I simply can’t possibly know. This is an enjoyable, witty and charming account of a young man finding his place in the world, though not as in-depth as some might wish.