Writer of Dark and Light Fiction. Fact, fiction, poetry, short stories, articles and novels. Cross-genre, slipstream, non-traditional romance, gothic, horror, fantasy and more... Visit this diverse writer's site.

Update Feb 2024

Hi Everyone!

AT HOME:
Living in the countryside isn’t always the holiday atmosphere people assume. Officially on the news the South West has had 3 to 4 times the amount of rain it usually has this time of year, so despite trying to get out and about more, some days have been a bit more like monsoon season making some outings impossible. We went for a meal one night, driving through mist and fog to get there. There’s been a lot of what locals call mizzle, some of it icy. There’s some snow at high altitudes. Trying to sort out the garage and make a start on the garden where we can.

FILM/TV:
Watched Saltburn mainly owing to all the shocked buzz about the film, but I worked out what was happening and didn’t see all that much to be perturbed about. The real world is far more startling. I can’t say much surprises me.

Both Asteroid City, and Everything Everywhere All At Once, though fun and entertaining, left us with a sense of WTH did we just watch?

It’s easy to see why Brendon Fraser’s performance in The Whale was award-winning, and makes for compelling drama, throwing up a lot of reasons to question personal point of views, mostly for the good. Of course, The Whale doesn’t refer to his size, but to the emotional states of the characters. In particular, Ellie believes her father, Charlie, to be uncaring, and this has affected her attitude. The end is a little abrupt and purposely ambiguous, with various meanings. The film also showed how some people can react in negative ways to emotional upheaval, such as Charlie’s weight gain, a physical representation of the emotions that weigh everyone in the story down.

WRITING:
I at long last found the missing idea for another book, and I am thinking about re-editing another for a re-release, and am working out a new timeline for a book already written.
Stay happy and healthy!
Sharon x

Reads Feb 2024

Everyone In My Family Has Killed Someone, Benjamin Stevenson
All the clues needed are here, some so subtle it’s easy to pass over them, but it all ties together in the end. For me, it’s the style in which it’s all presented that made this book so engaging. I’m not usually a fan of first person and I’ve seen that the fictional author of the book talking to the audience has annoyed some readers, but I loved it. Others call it confusing and say it’s all been done before by better. That can be said for many books, but that doesn’t negate other novels. I wasn’t confused and don’t feel it’s fair to assess a book against another. All I know is I had fun with this. I did, however, set my sights on the suspect(s) before the denouement, but not early enough to spoil the outcome. I may check out other works by the author.

The Phone Box at the Edge of the World, Laura Imai Messina
Based on a real phone box people visit to talk to their departed loved ones, this is a gentle story even though its subject is one of dealing with loss; of how to open oneself up to a future in which one can find the right balance to live a hopeful and love-filled existence, even though genuine grief’s a close companion through life. Snippets and minor details intersperse the chapters to the section just read, which lend the book a certain unique charm and style. Yes, the story lingers afterwards, although I its emotional aspect failed to move me.

Citizen Alex (Let Freedom Ring), Bruce Campbell (ebook)
A lighthearted, short, fun read. The main character of Alexander Madison could easily be the lead in a series, and the writing shows Bruce’s sense of humour well. Maybe not as funny as I expected, but there were moments with political satire woven in.

The Lost City of Z, David Grann
The only trouble reading a book like this is it does nothing to lower the to-be-read mountain because I couldn’t help wondering if the author’s written any more than half as good. If only all my history lessons could have been so entertaining and informative. A factual historical adventure as gripping as fiction, the book follows in the wake of Percy Harrison Fawcett into the Amazon to answer the question of what happened to Fawcett and whether he was on the track of an amazing civilisation. Often brutal, this tale is also enlightening. We know all about the destruction of the rainforest in recent years, but this reveals how deep that ruination goes, of how early explorers began that devastation in pursuit of the land’s resources more years ago than most of us probably imagine. Many of the hostile tribes greeted these men in defence of that land and in response to the enslavement of their people. The treatment of indigenous races and pack animals is harrowing. The description of diseases and insectile hazards may make you itch. If I have one criticism, it’s that the version of the book I have had seriously small writing, which made the experience less pleasant, if pleasant is a word one can use when reading this type of book. Note: The film on Netflix based on the book takes only the main part of the story and dramatises it. The film’s worth a look, but I preferred the reading experience as it’s much more in-depth.

The Power, Naomi Alderman
I didn’t expect to enjoy this book, although ‘enjoy’ doesn’t feel like the right word. This is a dystopian look to a future in which women develop the ability to emit an electrical discharge, turning almost all women into a walking weapon. The resulting upheaval in societies and cultures all over the world plunge the planet into wars on both the small and large scale. There’s too much in this novel to go into without writing an essay. The meaning may well be different to different people, based on their own biased views. To me, it screams that there is no better or worse, just the corruption of power, and we should all be equal. But, sadly, though likely accurately, this shows that equality also includes all human traits, both good and bad. The book shows what people are capable of, questioning gender equality on a grand scale. It’s thought-provoking, though touches only lightly on a subject that has greater depth than you’ll find here. Some might feel it’s a feminist novel, but it speaks more eloquently of the failures in human nature. Creative and possibly provocative for some.

Consider Setting

Often a story’s need dictates setting, but think of your setting as a character as much as any of the beings that populate the story. Setting can be more than just choosing a place and time. Setting creates atmosphere and the writer can use it obviously or in contrast, or even to tell the reader something about the characters within the story world.

Consider a spooky old house. Straightaway, this conjures up images of darkness, bats flapping around the attic, spiders hanging from their webs and something menacing hiding out of sight around the corner. A house may bring to mind specific films or characters from the movies. In Psycho, the physical setting in which Norman Bates lives represents looming danger and his twisted mind, although the film sets out to mislead us. His home speaks of isolation, abuse. We feel sympathy for Bates, believing him to be a victim (which he is as much as those he kills). However, placing unusual happenings against a more mundane backdrop can have an equal or greater impact.

Or use a haunted house setting to tell a completely different story. Write a comedy, and deliberately use the unlikely setting as part of the joke. Whatever the story concerns, remember the atmosphere. There’s no need to be overly descriptive to build a story world, either, although sometimes writing the perfect, concise description takes longer than a meandering passage, but it’s worth practicing.

Often, the reader only needs to know the exact colour of a room or the pattern on the wallpaper if it has a direct bearing on the story or a character. That said, the way a character sees his or her room after returning from an absence of many years can give the reader a clear idea of the type of childhood this person has had. If the room is unchanged, kept as a shrine, this could tell the reader much about the character’s parents, or it could turn the story upside down and provide another unexpected and surprising reason for the room remaining untouched. Either way, the room itself becomes a tool to give us insight and therefore provide atmosphere. The room becomes as much a part of the story as the people the writer places in that world.

So, although it’s unnecessary to do this meticulously for every scene, when building the world around characters, consider settings carefully. Don’t simply erect a house with four featureless walls. The type of home the character lives in says much about him or her as much as the more obvious details do. Conversely, a character might live in rented accommodation where the roof constantly leaks and the walls are so thin arguments next door may as well be going on in the same room. If the character has a personal reason to be miserable, the accommodation can reflect their emotional state, cause it, or be the reason they’re forced to interact with others.

In one book of mine, I specifically choose to place several scenes in a garage where my MC (main character) works. At first glance, it’s easy to think my character simply needed a job, but the career I chose has always had a masculine persona, and this reflected his personality. The first evidence of his feelings comes to light in the garage, when the other men are trying to joke around. My other character’s sister confronts him in the garage more than once, and ultimately, something nasty happens there to make him face his feelings. There’s plenty of other action that takes place elsewhere in the book, but I deliberately set several pivotal moments in this setting because this is ‘his space’. It’s where he feels most comfortable, doing the thing he loves (taking care of cars), and where he feels most secure. In the garage, he’s a bloke’s bloke, and in charge. Suddenly, he’s insecure in the one place where he should feel safe. The sister’s wrath is an attack and his emotional state can find no solace in the one place where he’s always felt confident. He’s lost his sanctuary. His self-assurance takes another blow. He’s unanchored, insecure, and unable to find a moment’s peace from his emotions, even when working.

As with all writing, choose words carefully and deliberately, but this is especially true with setting. Light that glints ‘wickedly from the sharp edge of a blade’ leaves a distinct impression as opposed to a ‘soft amber glow of the sunset, made the knife gleam’ even though the second option may be as deadly — For example, this option also makes me think of two people preparing dinner about to have an explosive argument where the sharpest weapon will be words.

Don’t overdo adjectives and don’t forget to include more than one sense. People don’t just see; they touch, taste, smell, and hear, too. Apparently, smell can be one of the strongest things to invoke memory, so use it well. Likewise, music can create memory-recall more vividly than a photograph. Note: when using things like music, don’t simply use a favourite song. The story isn’t about you (the writer) — unless it actually is — it’s about the character and in this a writer has to consider age, context, history. If it’s a song she remembers from a time when she knew someone she’s never stopped loving, what age would she have been, and how long ago was it? What year? What played that year, in that month? Why did it resonate with her then and why now? Choose something historically accurate. Do the homework.

Such things also spark tension. If calling on a fastidious neighbour, and the putrid smell coming from the bin rankles your MC’s nose, the reader will surmise right away that something is wrong. An outside bin not pushed to the curb for collection can do this as effectively as an indoor bin a neighbour accesses with the use of a spare key when dropping off a regular shop, an errand run out of neighbourly goodness. In both cases, if this naturally clean neighbour hasn’t emptied the bin, then there must be a reason. Is the neighbour ill? Dead? Murdered? Does the rank smell coming from the bin herald the conditions in which they will find this person?

You can also use setting to place your story in time, but if writing a period piece, especially do your homework. Readers will know a writer has just made it up and guessed. It’s one thing to make a mistake, but quite another not to try at all.
And don’t be lazy. Don’t simply tell a reader that it was a rainy/sunny/cold/windy day. Describe the day and use it to bring something your character is doing, or feels, vividly to life. Is the weather that day in tune with your MC’s feelings, or irritating in contrast? Use setting to establish the scene or even to misdirect.

Update Jan 24

Hi Everyone!
AT HOME:
Sorry there was no update for December, but not a lot to report. Trip to relatives, horrendous traffic, and a general hatred of travelling anywhere on a major holiday. A definite reason to exclaim one is getting too old for this. And January always seems to be a bit of a bleak month. Illnesses in services have interfered with our receiving various treatments or tests. And, despite my vow to not spend more on the garden, various plants await better weather so that they can go in the ground. There’s also a few more to come.

FILM/TV:
We’re continuing with a few series, including Doctor Who originals. So nice to see finally The Web of Fear, Doctor Who, Season 5 with Patrick Troughton as the first book in the spin-off series of novels featuring Lethbridge-Stewart was The Forgotten Son, written by Andy Frankham-Allen, which follows on from the yeti invasion by the great intelligence. A series I was fortunate to write for. Watching the old shows also made me realise what an excellent book Andy had written in his unofficial guide: Companions, Fifty Years of Doctor Who Assistants.

We finally got around to watching The Full Monty series (Disney+), and were pleasantly surprised. We thought it would be good, but it has real social commentary, funny, sad, and serious. Every episode flew by.

WRITING:
I have attempted to write again, somewhat delayed with one project potentially lost as I can’t find the article whence the idea sprung. Not as bad as losing actual writing, but a reason to grind teeth for sure. Nothing to report as I’ll be in the old rewriting phase for sometime on an existing draft.
Stay happy and healthy!
Sharon x

Jan Reads 2024

The House at Phantom Park, Graham Masterton (ebook)
I found this to be far from the author’s best work. In the past, scenes from a previous book of the author’s made me go physically cold, difficult to make me do as I don’t scare easily. This one carried a slight creepiness but didn’t scare. I liked the plot and these less than average ghosts impressed. A lot of info gets repeated in the narrative, particularly in conversations and within a short timeframe, reminding me of several shows that have unnecessary exchanges to remind the audience of what they already know. In style, this made me wonder if the book’s intended as YA horror, though some scene content seems a little too gory for that. I wanted to like this more than I did, though there were elements I appreciated.

Leave the World Behind, Rumaan Alam
This book seems to do a few of the things many publishers tell their authors not to do, so it took a little while to get used to the omnipresent head-hop style, knowing things the characters in the book can’t yet know, or never know. A social commentary on isolation, dependance on technology and society, wrapped up in tension, the themes here make one realise how helpless so many of us might be in the face of disaster; how most people require order and structure, and how close they come to panic, man turning on each other when these things come under threat. A suspenseful piece of writing. Often disturbing. (Note: the Netflix adaptation is good but I preferred the reading experience.)

Agatha Raisin and the Potted Gardener (audio), M.C.Beaton (read by Penelope Keith)
Agatha never learns from past mistakes; whenever she cheats, as with horticulture in this story, you know she’s going to be caught out. She is a mercurial character, though that’s partly what makes her fun. We like to see her fail as much as triumph. Her sense of right and wrong is her saving grace, though she has a sharper tongue than mind sometimes. In this, the sniping among the characters, not only Agatha, provides the most fun.

Rotherweird, Andrew Caldecott
A book that’s difficult to describe. Made me think of Gormenghast a little, in that it’s a hidden world in our world, somewhat though not entirely closed off because of a historical secret, and I’m sure the town is more fantastical in my imagination than the author intended because of that. I want to adore this book, but it requires concentration in part because of the wealth of characters. There’s so many don’t expect any real depth to them. In that, possibly the book is missing something, but to allow the audience to get to know them more deeply would require additional verbiage to an already long narrative and it’s already a little too much. I can’t help feeling that this book would benefit from some editing, though choosing what to cut (the author already states in the back that scenes and characters ended up on the cutting room floor), would require a well-trained eye, or perhaps several, as opinions will naturally vary. But the flaws are irritating because this should be, and is to a degree, an amazing book. I guess the broadest genre to place this would be fantasy, but to use one word to describe the work would be an injustice; if you can think of it, you’ll likely find it here. Fantastical is perhaps a better word. The book excels in scope and is mostly a triumph, but it’s heavy going, and I used to read a lot of epic fantasy with no problems. I couldn’t help loving most of it and may tackle the trilogy in time, though for now, I feel as though my brain needs a rest.

By the Light of the Moon, Dean Koontz
A re-read for me as part of a book clearance, although I enjoyed this as much, if not more, than the first time around, so may hold on to it awhile. Not only a solid plot, but Koontz creates an enjoyable balance of characters here. Even the antagonist, with his self-serving justification, lifts the mad scientist level somewhat. Yes, it’s necessary to suspend disbelief, but then this is a supernatural thriller — what else should the reader expect except the miraculous? The penultimate part with Shep being a little bit ‘something’ (the best way I can describe it, giving nothing away) has always stood out for me and the urge to protect the protagonist’s autistic brother makes for plenty of suspense.

Best Reads of 2023

Around this time of year I look at how many books I read the previous year, and choose the best of those reads. When I first looked at the list, I despaired that I would find any to recommend, but later on several cropped up. These are the few that stayed with me the most, though I’ve found it almost impossible to select an outstanding book of the year. If pushed I might select Patrick Ness’s A Monster Calls for all the reasons stated below.

May

Roger Rabbit, Xerious Business, Gary K.Wolf
The fourth novel of the series and perhaps the best. This shows the human side of Jessica before she became a toon. I thoroughly enjoyed this, the first and fourth book possibly being my favourites. Don’t expect these books to follow on, one after the other. They each have their own stories and don’t pick up where the other left off. Take them for they are, as the author has written them, and they’re fun, though not as zany as the film. Don’t expect Disney here.

Welcome to Temptation, Jennifer Crusie
It’s marvellous to love a book as much on a re-read years later as much as when first read. This is one of those. I still rank this as Crusie’s best book. A steamy small town romance and mystery perfectly blended. This is a rare book where not one sentence seems out of place. With a perfect balance of characters (especially Sophie and Phin), and an ending that still made me laugh and smile, this book brings a bright meaning to carrying on family traditions. Top marks.

June

No One Gets Out Alive (audio), Adam Nevill, read by Colleen Prenderghast
I picked this up for two reasons: It’s one of my favourite horror novels (yes, I’ve already read this), and I’ve enjoyed audio books read by this reader. It’s best to think of it as a book of two halves, though both have their share of scares. Many may feel this book goes on too long, and this especially comes across in narration (and in the second half), but I still enjoyed this story immensely. Some skilled editing could shorten this by making some sentences more concise, but I’d struggle to find much, if anything, worthy of deletion. This tale works as a horror on so many levels. As a ghost story, societal commentary, the isolation and fear of a woman alone, and the helplessness anyone would feel trying to make others accept an unbelievable truth. Suspenseful.

A Monster Calls, Patrick Ness
I knew the story though this is my first reading of this book, but I doubt it will be my last. Technically classed as a book for children, it’s one all of us need to read. Almost all of us will be in young Conor’s position at some point — losing someone we love from an illness. We’ll experience emotions we hate ourselves for, and perhaps, don’t even understand. This book deals with all that and more. It also teaches forgiveness, especially for oneself, and that emotions don’t always surface in the best or most obvious ways. Children may lose some of the nuance depending on age but, if they don’t take to it, I’d recommend trying again as they grow older. Indeed, the older one is, the more this might tear the reader apart. It may well devastate adults more, as we understand the pain in these pages too well. I’d have to place this among the best books ever written, and it’ll break your heart.

Intensity, Dean Koontz
When Chyna Shepherd crosses paths with a killer, she has to fight for more than her own life. A re-read for me I’m pleased to say I would still rate among the author’s best books. While I might not have thought this was as perfect as I did on my first read many years ago, much of this book remains intense. Yes, the antagonist possibly feels excessive, but not as caricatured as some famous criminals real or invented. Whatever writers can dream up, reality often trumps. But I recall the protagonist being among the first truly strong female characters despite her making one or two stupid mistakes. Being human and ‘not thinking’ makes for a more realistic person. She’s not superhuman. There are spiritual elements, which is often the case in Koontz books, but there’s no reason to buy into these if the reader doesn’t want to. The same elements could be coincidence yet give Chyna strength and determination. Only her belief in them is important. There is some animal injury and death, so that may be a trigger warning for some; I could deal because ultimately what happened is still the killer’s fault, but realistic in context, and not gratuitous.

July

Making Money, Terry Pratchett
No doubt baffling, but I have a handful of Terry Pratchett books left to read, well aware that when I’ve read them, there are no more (although I can and may well read them again). Therefore, though it’s been out for many years, this is my first reading of Making Money. What Terry and Moist von Lipwig did for the post office, he does here for the banks. What more can I say? Fine comic writing. Wonderful satire. Outstanding as always with a cast of unforgettable characters, including a dog with a newfound and beloved toy.

August

Swan Song (audio), Robert McCammon, read by Tom Stechschulte
The easiest way to describe this book is as an epic analogy against war, especially nuclear war. One can’t help think of Stephen King’s The Stand while reading this, and, I imagine, vice versa, once having read both, but each deserves their own place on anyone’s bookshelves. I can’t say everything I want to say without giving away the plot and outcome, but I’m not sure the anti-hero attempt quite works for me, maybe because it seems so sudden and brief. Sadly, the outcome speaks so eloquently, showing us with a painful foresight that some people may never change, even though hope runs throughout. There was a moment where I rolled my eyes when they get to their final destination and who they find there, but that soon dissipated when the author flipped the story defying my expectations. A head hopping but absorbing narrative worthy of recognition.

A Man Called Ove (audio), Fredrik Backman, read by Joan Walker
Having recently watched A Man Called Otto based on this book, I revisited this story by listening to the audio. I loved reading the novel and still have it on my shelves. The audio did nothing to disappoint. At first glance, one might wonder why they’d want to read the story of a grumpy old man, but Ove is not all he seems and his life is one to be celebrated. One thing the book does better than the film is give us his wife’s point of view. We get to learn of the qualities she saw in him, long before a new family moves into the neighbourhood. We also learn more about his background. If you liked the book, there’s no reason not to enjoy the story in other formats. If you’ve only seen the film, watch or listen to the book, and enjoy how Ove touches the lives of others.

September

Scratchman, Tom Baker
Reading this made me feel like Alice falling down the rabbit hole. Bizarre. Surreal. Far more wild and wacky than I was expecting, but who can fault the wild and wonderful imagination of Tom Baker? His sense of humour shines through? The theme of the book is fear, and this resonates by the end. I’m tempted to get the audio, just to hear this brought to life by the author/Doctor.

Dec

Road of Bones, Christopher Golden
A road named because of the number of prisoners who died there forced to work by the Soviet Union, bodies left in the ice in Siberia. I’ve read Christopher Golden before but can’t remember when I enjoyed one of his books as much as this. The unusual setting is as much a character as any of the people that populate the story. I felt for any of them, even those I barely got to know. A short slow start after which momentum rarely lets up. The plot is fantastical, but I felt so immersed in it, I found it easy to suspend disbelief — easier, no doubt, because of the wilderness. Not what I expected, but better for it. The only slight negative is I expected the ‘road’ to have more to do with the major story, whereas it’s more of a subplot.

The Red House Mystery, A.A.Milne
The one and only detective novel written by the author of Winnie the Pooh. This is light-hearted and fun. The amateur detective asks all the right questions and comes up with all the right pro and con answers. This kept me guessing until almost the end, when I worked out what had happened but not why, though the clues were there. I’m just sorry there’s only the one, though for this to be a series, A.A.Milne would have had to improve with each book. Even if this was an author just having a little fun, this would have been a solid effort of its day. It understandably has a ‘classic’ feel. I thoroughly enjoyed this, though mostly because of the author’s excellent style. Makes me want to read my childhood Pooh books again.

Dec Reads

Lost for Words, Stephanie Butland
An enjoyable read, set in a bookshop, though Loveday Cardew’s big secret wasn’t so secret to me. I easily worked out what was coming, although other elements were more of a surprise at the end. I’m not a fan of first person, so this, together with the way the book is structured, meant it took me over 100 pages to truly drop into Loveday’s world. Once I did, I found this more enjoyable. I liked the characters, good and bad, and in-between — like people, characters aren’t always perfect citizens; that would be boring. I struggled a little with why Loveday found it so hard to confess her story to ‘anyone’, even a single soul — I would hope we’d be more understanding these days — but then she’s worked so hard to cut herself off from any form of risk. She says one horrible thing towards the end that jarred, though it’s so small it didn’t put me off the book — that ‘people are imperfect’ thing again, and we all have an uncharitable or selfish thought occasionally. I liked the locations in the book. The plot and conclusion were satisfying. Archie was a fun addition to the cast.

Road of Bones, Christopher Golden
A road named because of the number of prisoners who died there forced to work by the Soviet Union, bodies left in the ice in Siberia. I’ve read Christopher Golden before but can’t remember when I enjoyed one of his books as much as this. The unusual setting is as much a character as any of the people that populate the story. I felt for any of them, even those I barely got to know. A short slow start after which momentum rarely lets up. The plot is fantastical, but I felt so immersed in it, I found it easy to suspend disbelief — easier, no doubt, because of the wilderness. Not what I expected, but better for it. The only slight negative is I expected the ‘road’ to have more to do with the major story, whereas it’s more of a subplot.

The Red House Mystery, A.A.Milne
The one and only detective novel written by the author of Winnie the Pooh. This is light-hearted and fun. The amateur detective asks all the right questions and comes up with all the right pro and con answers. This kept me guessing until almost the end, when I worked out what had happened but not why, though the clues were there. I’m just sorry there’s only the one, though for this to be a series, A.A.Milne would have had to improve with each book. Even if this was an author just having a little fun, this would have been a solid effort of its day. It understandably has a ‘classic’ feel. I thoroughly enjoyed this, though mostly because of the author’s excellent style. Makes me want to read my childhood Pooh books again.

Growing Pain and Other Stories, Paul Tremblay
This book is going to be polarising from loving to loathing it, and all the levels between. Some stories felt as though they needed more of a resolution. Others read like a metaphor. Then there comes the “What the hell did I just read?” portion. A few certainly linger in the mind. I loved three — Where We All Will Be, Her Red Right Hand, It’s Against the Law to Feed the Ducks — liked others, hated none, but felt somewhat indifferent to a few. These stories are experimental, even slipstream in parts, and unique to this author’s style.