Wishes Do Come True

My latest news speaks for itself. Excuse the unseemly author squeal but HOW COOL IS THIS!!!!!

Sharon x

wishing_bazaar_cover_smallPRESS RELEASE 25/11/2016

LETHBRIDGE-STEWART

PRE-ORDER FREE STORY

Candy Jar Books is pleased to announce its latest brand new free story!

The Wishing Bazaar by Sharon Bidwell will be sent out to all subscription customers, and those who pre-order the forthcoming novel, Blood of Atlantis by Simon A Forward.

Sharon Bidwell was born in London on New Year’s Eve. She has been writing professionally for many years, with her first short story receiving praise for being “strong on characterisation, and quite literary, in terms of style”.Her work has appeared steadily in both print and electronic publications, such as Midnight StreetAoife’s KissNight To Dawn, and Radgepacket. She has written several romance novels under the name Sharon Maria Bidwell, including Snow Angel and A Not So Hollow Heart, as well as dark fiction under the name Sharon Kernow. She was propelled into the universe of Steampunk as one of the writers for Space: 1899 & Beyond, winning the approval of series creator and award-winning game designer, Frank Chadwick. She wrote three books in the series, one of which was co-authored with editor (and writer) Andy Frankham-Allen.The Wishing Bazaar is her first piece of Doctor Who related fiction.

Range Editor Andy Frankham-Allen says: “I first met Sharon via the wonderful world of social media back in, I think, 2009. I was very impressed with her work, and soon enlisted her for my Space: 1889 & Beyond series. Her work ethic was proven to me when a novella fell through at the last minute and she agreed to co-author a replacement with me – which we did, in only two weeks! Sharon’s first drafts are often better than a lot of published works out there, and from the off I told her that I would get her writing for the Lethbridge-Stewart series. She resisted for all of five minutes.”

Sharon says: “I’ve written for and with Andy before with great success, so I was not entirely surprised when he got in contact about his latest project. For one thing, he’d been ‘hinting’ for some time that he wanted to rope me in and Andy isn’t someone who understands no as an answer.Whenever I hear from Andy, I never know whether to cheer or groan. All those who write novels for well-known television shows now have my utmost respect. Some find it easy; for others the experience feels difficult and involves a lot of angst. I’m one of those worriers. Despite the responsibility, Andy has dragged me into incredible worlds and stories that are part of history and there’s no way not to be grateful for that.Invariably the experience of writing for Lethbridge-Stewart was, for me, daunting, exciting, fun, and adventurous…a bit like the character himself.”

Shaun Russell, head of publishing at Candy Jar, says: “Sharon was an unknown quantity for me, but I knew that Andy had worked with her before, so I was more than happy to see what she’d come up with. Having read her short story, and looked up her other work, I now believe she’s going to be a wonderful addition to our stable of authors on this series.”

This story is set between Times Squared and Blood of Atlantis.

Blurb: Back from New York, Lethbridge-Stewart is investigating one of the strangest cases that has come across his desk yet. Wishes are coming true, and if there’s one thing Lethbridge-Stewart still doesn’t believe in it’s magic. But what if he’s wrong?

The cover of The Wishing Bazaar is by regular cover artist, Richard Young. Richard says:“I adore working with Candy Jar, and their cover briefs are always so specific, but this one was rather ambiguous as there were several elements that I could have used on the cover. I decided to concentrate on the alien of the piece.One passage of the story mentioned its burning eyes. Using a combination of traditional drawing and then colourisation in Photoshop (to really get the blazing eyes right), this is what I came up with.And I’m pleased to say everyone loved it.”

The Wishing Bazaar will be sent out to every person who pre-orders Blood of Atlantis (as a single book, or as part of our bundle/subscription offers).

Blood of Atlantis can be pre-ordered individually, or as part of the Series 3 Bundle (both UK and overseas), which includes the previous novel, Times Squared by Rick Cross, and the forthcoming novel,Mind of Stone by Iain McLaughlin, or the subscription deal for those wishing to get six books for the price of five.

Candy Jar is pleased to announce that the subscription offer is now being extended to international customers. Please see http://www.candy-jar.co.uk/books/subscriptions.html for more details.

Candy Jar is also offering a special promotion for its online customers. Buy Blood of Atlantis for £8.99 and get Times Squared for £5. This promotion also applies to six other Candy Jar titles. Please see http://www.candy-jar.co.uk/books/offers.html for more details.

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www.candyjarbooks.co.uk

For more information, or to arrange an interview with the editor, authors, cover artist and/or license holder, please contact Shaun Russell at shaun@candyjarbooks.co.uk or 02921 15720

Lethbridge-Stewart series 1:

The Forgotten Son by Andy Frankham-Allen

The Schizoid Earth by David A McIntee

Beast of Fang Rock by Andy Frankham-Allen

Mutually Assured Domination by Nick Walters

Lethbridge-Stewart series 2:

Moon Blink by Sadie Miller

The Showstoppers by Jonathan Cooper

The Grandfather Infestation by John Peel

Lethbridge-Stewart series 3:

Times Squared by Rick Cross

Blood of Atlantis by Simon A Forward

Mind of Stone by Iain McLaughlin

Shaking hands with Lethbridge-Stewart

Hi everyone! I thought this week was a good time to post an update I planned to entitle Update September 2016. That changed when my most exciting news arrived in my inbox this morning. I can’t exactly call this Dark Fiction, but it’s more that side of my writing than anything else, though the tone of the story is fast and light. My short story, The Wishing Bazaar, is now part of the third series of Lethbridge-Stewart ‘The Brigadier’ of Doctor Who fame. I’ve been keeping this secret for quite some unbearable time. With the press release, it’s official:

Series Three Announced! Times Squared for Pre-order!

***

My next truly Dark Fiction title Blood Moon will appear in Night to Dawn magazine early next year under my pseudonym of Sharon Kernow. It is one of several from an ongoing project of shorts under a theme, of which I’ve already published some stories. I have it in mind to place a few with magazines and then form a collection either through a publisher, should I be able to find one, or dip into self-publishing.

***

On the romance side, JMS Books has contracted Snow Angel. The new, and one hopes, improved version should be out before the end of the year both in ebook and print. Hard to believe how much my writing has changed. I’m working on drafts of book 2 (which is now extended), and book 3 (completely new/roughly drafted). The re-write came about because when I considered adding a third and much-asked for title, I realised the writing was vastly different. I asked a couple of the fans and they voted for a re-write. The re-release is with JMS mostly because that’s the only way I could get print, but because of the good work ethic I’ve seen from the company so far. Others are screaming for work from me, I know. I’m sorry. Life pitches us curves and no one can be more frustrated than I.

I have a schedule I’m diving into. Thanks to everyone who has asked for work and those who have shown incredible patience.

 

A Writing Process Blog Tour

Around this time two years ago, I was nominated for a blog tour without my knowing. I can trust my co-writer and editor, Andy Frankham Allen, to not tell me. I guess he counted on me reading his blog… and it appears he was right. This was my entry, which I reproduce here with updated footnotes. Two years. This was TWO YEARS ago. How the time has flown.

Q1 What are you currently working on?

Not as easy to answer as it should be. I’ve recently finished one lot of edits for a steampunk work and had decided to write a third in a published series of romance titles only to realise a need to edit books one and two as I reread them. That turned into a total exercise of shock mixed with the delight of seeing how well I’ve improved in five or six short years. And while I did that, edits for another book arrived. I’ve just returned the first round but don’t expect it will be long before the second arrives (there’s usually two before line edits etc), so I’m sort of jumping about at present. Interruptions and having to hop between works is one thing I never accounted for.

UPDATE: The romances I mention I’m only now finishing up. Personal problems and a necessary move cause a good deal of interruption. Book one has this week been contracted and the trilogy will be on the way.

Q2 How does my work differ from others in my genre?

A genre is a bit of a painful topic for me. I’ve been calling myself a multi-genre writer, but I realise that’s not an easy achievement. Readers will seldom follow a writer through multiple genres — a fact that had never occurred to me. Yes, I know, naïve, but then I’m a reader who will stick with writers I love no matter what they do. I’ll at least give all their works a try, and I read so widely it seems strange to think there are people who read a single genre. I cannot imagine life without reading at least two or three different stories. I always say I write as I read, meaning anything and everything. While this is true, branding is everything these days, so lately I’ve been giving serious consideration to what I do.

I hit on the romance/erotic romance market mostly by accident rather than intent and I tend to call this side of my writing ‘non-traditional’ romance in that I’ve written a large portion of gay or ‘m/m’ titles, also menage, and those in themselves have ranged from contemporary, comedy, horror, science fiction, and fantasy. I want to have a serious try at writing a hetero romance, but I’m sure it will have a paranormal setting, so I say ‘non-traditional’ to explain that I write a range of pairings and sub-genres.

Of my non-romance work… again, it varies, but I realise that many of my stories seem to contain a dark thread. I’ve a short story Bitter and Intoxicating in the anthology Red Velvet and Absinthe (edited by Mitzi Szereto, foreword by Kelley Armstrong) which is a perfect example of this. It’s erotic gothic romance with more than a touch of horror. My one and only short story available at Untreed Reads called The Texture of Winter is impossible to describe. It’s about loss and pain and the end of life, and yet I feel the tale has a bittersweet quality. Both stories are unusual and yet both contain a dark thread. I kind of pride myself in being able to write almost any genre, but I’m currently trying to pin down what I most want to focus on, so I recently re-branded my site and myself as a ‘writer of dark and light fiction’, which at least seems to cover all possibilities. When I get a little ‘breathing space’ I plan to write a novel with that dark side in mind, think ‘outside the box’ to see where it leads me.

UPDATE: I subsequently divided my romance and darker work and have a pen-name for what I now call Dark Fiction.

Q3 Why do I write what I do?

An innate love of books, of stories, of story-telling. Books have been companions throughout my life. They seldom let me down. They’re a way to explore life. To live and experience other lives, to be someone you are not. They’re time machines, both into the past and the future. Stories are for enjoyment and exploration. They can teach or simply hold the reader’s hand through good and bad times. I’d love to make a living at writing, but realistically so few writers do. Many writers write because they simply don’t know how not to. It’s a driving force. I’ve referred to it as akin to breathing.

Q4 How does my writing process work?

I’m not sure. Every project feels different, and the process isn’t always the same. I call myself a pantser — a term in writing circles to mean fly by the seat of. Andy is mostly a plotter. When we co-authored a book together, I found it a little exhausting, and it wasn’t just because we were stepping in at short notice and had limited time. Andy is fast, and he tends to know exactly where he wants to go. I can be fast, but not always, and not when plotting. Writing with someone else requires a certain amount of plotting to be inevitable, but I seldom know where I’m going, so following any kind of pattern felt alien to me. I may start a work based on an opening scene that’s come to me. I may have an idea where I want my characters to end up, but not have a clue how they’re going to get there. On rare occasions I’ll know the end, but nothing or not much leading up to it. I have written things based on nothing more than a title or a handful of words given to me. Characters may come to me without a story, or I’ll connect two random events and realise there’s a plot hiding there. I really cannot explain how my ideas form because it can happen in many ways.

The writing process itself can also differ. I usually write from beginning to end, as if I were reading a story. Occasionally I’ll write random scenes or jump a few scenes ahead and then connect them, sort of in the way they produce a film. The writing can come easily or take forever. It’s a wonderful feeling when it’s flowing; other times… I can only say there’s a good reason writers refer to it as proverbially pulling teeth. When the writing drags, it drags big time, yet I can’t base how good the writing is on how easily the work flows. Sometimes it feels as if a story wrote itself and poured out of me; other times I’ve had to wrench out every word, but in neither case does that tell me a thing about the quality of what I’ve produced until I shelve it for a while and come to the edit. That’s the one thing about my process — I like to shelve work before I do an edit. I may edit a little as I go, I may read over the previous day’s work to get me back into the story and tweak it, but before I do a first major edit, I prefer to let work sit a minimum of two weeks, preferably two to three months or even longer.

Q5 What’s new from you?

I’ve a short story called The Night Train in a magazine, Night to Dawn, and I’ve recently finished The Draco Eye a steampunk work for Space 1889, so that’s likely to be the next available longer work from me. The intrepid crew of Sovereign are heading for Jupiter and find the most fantastical creature yet… which the amazing cover reveals.

Coming next… current edits are on a book tentatively entitled Going Nowhere — a title that will probably end up changed owing to the publisher’s list of titles already in use. This is a gay erotic romance paranormal detective type thing that will be available from Loose id though I don’t have a release date yet. Who said a writer can’t mix things up?

UPDATE: Going Nowhere ended up releasing as Wildest Dreams.

An Absolute Pleasure

This is going to be my last blog for a couple of weeks because I’m taking a break. I hope to get a work I’ve been editing through its first re-editing phase before the end of the week, and for those who follow my romance titles, I have a new due at the beginning of July. This is more a ‘bye for now’ than an actual blog, but I have an important date to celebrate that will be an ‘absolute pleasure’ for me. We all face milestones in our lives and I have one on the way that’s an achievement.

On that note (forgive the dubious segue), I’m taking a moment to reflect on something else that put a smile on my face in January 2013 (where has the time gone), when my Steampunk adventure — co-authored with Andy Frankham-Allen — Mundus Cerialis: Space 1889 & Beyond was called ‘an absolute pleasure to read’.

You can read the full review by going to The Traveler’s Steampunk Blog.

Stay well, stay happy, and Happy Reading!