Thanks for the memories, James

As it’s October, I thought it suitable to mention a writer who has ‘been with me’ since my teens. True, one of the first horror books I ever read was by Stephen King. The book was Salem’s Lot, if anyone is wondering. But for a long time, my favourite ‘horror writer’ was James Herbert. When I heard of his death, I experienced that jaw-dropping moment when one doesn’t want to believe the news and can remember the moment as though it happened this morning.

I place the term ‘horror writer’ in quotes because Herbert was never entirely happy with being categorised and had his share of mixed reviews. He felt any violent or horror-related work met a certain brand of snobbery. It’s a problem I completely understand and why I label my horror writing as Dark Fiction, precisely because many stories flank other topics and genres.

Some horror writers aren’t, truly, writing what I call horror even if there’s an element of that in the story. Some of Herbert’s work became blended with the paranormal (he said himself that his later works leaned to the supernatural), fantasy, and I have always felt a large part of his compositions contained humanitarian questions and shone an ugly reflection on society. In Herbert’s own words, some of what he had to say regarding his motivations and underlying themes might surprise many.

I recall one particular mention of the seemingly oversized rats in his books: Rats, Lair, and Domain. A line in Dracula may have inspired the trilogy, but the description and size of the rodents came from the creatures he saw in the overrun areas of the East End of London in which he grew up. Having seen ‘Rodents of Unusual Size’ (some readers will know where I borrowed that from and it’s not Herbert), I’m prepared to believe. Some can look bigger or at least match the size of small dogs.

There’s also how much is too much? Yes, violence (and sex) can be gratuitous, but I’ve also believed a writer should ‘write’ and not fear showing something as it is or would be. Herbert wasn’t a writer who feared to call a ‘spade a spade’ and preferred to give an honest portrayal of any scene. Of course, his writing, which was ignored or even banned when first published, is thought of as more commonplace now. Books and films deemed once to be adult viewing can be now found in school libraries.

It will surprise some readers that I read or even like the horror genre, despite my saying constantly that I read anything and everything. Truth is, I grew up on horror books. My teen years were romances (usually Mills & Boon because that was what my friends were reading), Herbert, King, and Steinbeck. I’m serious when I say my library is eclectic.

I suppose I also admired Herbert because he was a success story — well known and British. The young writer in me couldn’t help being a little envious. So much happened to me throughout those years. My life went through so many changes. What I read during that time blends with all the other memories. Lately, I’ve felt the pull to return to those roots with my writing. Though, to date, it’s been strictly short stories I plan to try my first Dark Fiction novel soon, and I’m sure I’ll be thinking of Herbert when I do.

My tribute will be a simple one: many, many thanks for the memories, James.

Snow Angel’s first new review!

“Both Jay and Dean are very well-written and they lived off of the printed page.”

This week I’m focusing on the type of review writers like. Not just because it praises one of my works, but because it’s well wrought. Good or bad, writers search for those reviews that have something constructive to say. I loved it (or hated it) is fine, especially if it’s a show of approval, but reviewers who can look at the depths of a story provide a writer with the insight from which we learn. I’ll address how I think writers should handle reviews another time, but there are opportunities to learn from both good and bad. Gabbi gives Snow Angel ‘5 kisses’ and a multi-layered review from which I share a few lines:

“He has a way of brushing off and not dealing with important topics like feelings and sexuality, but as I continued to read the story, I began to see the many layers of Dean begin to peel away.

It’s true that Dean struggles with verbalizing his feelings for Jay, but he shows Jay in so many way how much he truly cares for him, their friendship and the love that simmers between them.

Snow Angel is a complex and wonderfully written romance that has earned a spot on my keeper shelf.”

That so many wanted this book out in print, and wanted to read it twice, tells me much. Gabbi and others ‘get Dean’. They see the multi-layering I wanted to construct in my characters and in their relationship. Gabbi is right. Dean has always been my most controversial character. Adored by many, abhorred by others. The original publisher loved this story for the same reasons as the readers who love him. The message I received from that publisher was ‘well done, subtly nuanced’. And that’s the whole point.

Dean arrogant? Yes, in some ways he is, but he’s the creation I wanted him to be. I wanted to show an imperfect hero, for I believe they are the best kind. I wanted a flawed human being who is a good person to have on your side. I wanted a ‘London lad’, someone rough around the edges, who would stand up and fight for what he believes in, who has a steadfast set of principles. In Dean’s own words, “I may be a dick, but I don’t dick around.”

You can read the whole of Gabbi’s review at Top 2 Bottom Reviews.

Reads of 2016

I usually finish the year with a blog looking back over the books I’ve read during the last twelve months. Unfortunately, I didn’t blog last week because I was away without Internet access and so this blog is a few days later and, owing to a tight schedule during 2016, liable to be even more pitiful in the number of books read than the last couple of years. Still, I can’t let the year pass completely without mentioning a few titles.

I read a few light novels at the start of 2016 that aren’t worth listing. In May I opened up Sunfail, by Steven Saville, an espionage tale that’s decidedly plot-driven but which I enjoyed. I’ve seen one review calling it slick, and I agree. I also discovered Nigel Williams, my first read of his being R.I.P. I knew I was going to enjoy this the moment I read the opening line of the blurb: ‘Retired bank manager George Pearmain is, apparently, dead.’ This is a nicely humorous, sardonic read.

Joyland and a few of the Gunslinger Graphic novels were a visit by me to a longstanding writer, Stephen King, followed by a Heart-Shaped Box by his son, Joe Hill. The title caught my attention and mostly I enjoyed the book, but not as much as my 2014 read of Horns. To me, a Heart-Shaped Box started out well but didn’t go dark enough. What started out as a promising scare didn’t quite hold its momentum or its thrills, but it still earns a place on my bookshelves.

I started The Enchantment Emporium, by Tanya Huff while on holiday and was immediately captivated and added this writer to my list, purchasing the following two books to add to my to-be-read mountain. The stories are definitely aimed at women but contain enough various elements to hold my interest — a blend of family issues, romance, and magic. The series had me at ‘Dragons’, of course.

Winter Tales is an anthology I had to check out because it features several writers, including me. I found I was more taken with the stories in the beginning of the book and, therefore, exceedingly happy where they placed mine, but like with every anthology, each reader will have their own preferences. I still like a short story and a selection is always a good way to check out new talent.

The Unquiet was my latest read by John Connolly. Unfortunately, I am behind on his books simply because of that mountain awaiting my attention. I readily admit that. I’ve the next two in said pile.

The Wine of Angels was my first foray into the world of Phil Rickman and his character of Merrily Watkins. I liked the concept of a female priest thrown into small village intrigue and investigation and thoroughly enjoyed this book, the characters in the village and the writing. Alas, I didn’t take to Merrily. I will read more of these titles, but it’s a bit like watching an episode of a favourite show where the supporting cast is stronger and more interesting than the lead. I hope this improves as the series continues.

Bleu/Blaque by Belinda McBride is worth mentioning for anyone looking for a m/m romance title. I’m ashamed to say I’ve had this one lingering for far too long, but going on the better late than never concept it’s one I’m happy to recommend. Bleu and Blaque prove to be interesting contrasts and not solely owing to their being vampire and werewolf. They are two characters I would happily revisit.

An American friend has been reading Notes from a Small Island, and The Road to Little Dribbling, by Bill Bryson. Again, the first has been sitting in ‘the pile’ for far too long, so I’ve read one and have just purchased and started the second. My American friend’s take is that it was that, though enjoyable, it was difficult sometimes to decipher between the humour and straightforward complaining, and there were a few moments when I took this point on board. I was surprised by how far Bill Bryson walked, and have to admit his way of touring wouldn’t be my preference having read even a portion of these books. I’m sure I’d want to spend longer in some areas, less in others, and some I wouldn’t want to visit at all, and while ‘wandering at will’ seems enticing, I’d do more research into my intended stops. The books, though, remain a delightful look into the British way of life, particularly for those who don’t know the UK so well… with one word of warning. The politeness and attitudes Bryson encountered in the first book have flagged somewhat. I’ve only just begun the second book and it will be interesting to see if Bryson has also noted any such changes since he first perambulated the UK.

Overall, the year has been pretty disappointing reading-wise so I’m happy to finish with two highlights both picked up for intended Christmas reading. My first is The Martian, by Andy Weir. Having seen the film three times, I was interested in reading the book and would recommend anyone who liked the film to do the same. I’ve seen both have had their usual share of mixed reviews, but I’m amazed how anyone cannot appreciate the research and science-made-interesting portions of the book — the added details of which exceed those in the film — is beyond me. Sure, the ending in both the books but especially the film is far-fetched. It’s FICTION. I’m one of many who does not understand this current inclination to dismiss fiction that is implausible. Many occurrences in life are implausible and fiction can achieve the impossible. I’m quite happy to suspend belief and to be entertained and maybe even learn a little, or, if not, that’s good, too. There is nothing wrong with sheer entertainment. For the writer that I am, it’s interesting to note that I learned Andy Weir first published the book as snippets on the web. To get the total story without waiting, people had to buy the book… and then a publisher took it up, and there’s been a film and one hell of a success story about a man stranded on Mars — the very definition of good fiction. The film… it’s a good adaptation of a book given a Hollywood treatment that’s not at all painful. Mild spoiler: It has a more exciting and implausible ending, but this is only to be expected when they adapt a book to film, as is the trimmed-down science behind the writing.

But my recommendation this year also is my last read. A Man Called Ove by Fredrick Backman breaks the rule of ‘show don’t tell’ yet is an easy read that is thoroughly entertaining, truthful, poignant, funny, moving, uplifting, and sad. It’s painful and beautiful, which is the best type of storytelling.

A little freebie for Christmas

A new series set after the 1968 Doctor Who serial The Web of Fear follows the adventures of Alistair Lethbridge-Stewart spanning the four years from when he was a colonel in the Scots Guards to his promotion to brigadier and head of the UK branch of UNIT. Candy Jar Books brings additional life to Lethbridge-Stewart, fully licensed by the executor of the Haisman Literary Estate, Hannah Haisman, and endorsed by Henry Lincoln. Whilst the series is not Young Adult fiction, its intention is to maintain that family-friendly feel balancing the classic with a sense of modernity.

To get a feel for the series, visit Candy Jar Books offers and drop down to the bottom of the page for this year’s Christmas free download. Enjoy!

The Seeker

To start with a summation, I’ll say this book (by Andy Frankham-Allen) is absorbing and satisfying. Initially, I didn’t feel that this was going to be the case. At the risk of the author’s wrath, I confess it took me more than a few pages to get into this story. Not that my attention wandered; I simply didn’t find it gripping, but I quickly accepted I probably opened the pages with more than a little bias, and the fault lies with me, not the writer. Knowing the author’s style, my already active imagination worked overtime with anticipation, for I’ve been waiting for this book for more than a little while. The pace at the start was steady, but a little slower than I was expecting. However, that’s my one and only negative, and it’s a small one. I found the book increasingly absorbing.

I should say I’m going to be sharing a publisher with the author and our paths have crossed in writing circles enough to call each other friend. After reading The Seeker, we eventually wrote a book together for the series Space 1889. It says a lot of Andy’s tenacity that he talked me into co-authoring. However, if a writing acquaintance pens a book that I dislike, I simply never review it.

The Seeker is book one of a planned four in The Garden series.

Absorbing and satisfying is the only description that fits the gradual expansion that made every distraction in my life irritating. By the time I reached halfway, I’d suddenly think of Willem and wonder what was happening to him as if his life hadn’t ‘paused’ while the book lay shut, but continued between the closed pages. That felt unacceptable; I wanted to be reading.

Willem is both a businessperson and a loving uncle, with much in his life to be thankful for, including a long-standing friendship with his best mate, Jake. That’s not to say that Will’s life is without stresses and seeing Jake at long last appears to be getting serious with his latest girlfriend, Will takes a chance and follows what began as an internet romance to its logical conclusion, to meet up with the person he’s only known online. From here, what happens after Will disappears leads the reader into a clever reworking of mythology extending back to ancient Egypt. As I immersed deeper into this supernatural world that exists in the undercurrents of our own, that initial steady pace made sense. One needs fully to know and understand Will to make what happens to him all the more involving.

It’s been a while since I read a book where I loved almost all the characters, both ‘good’ and ‘bad’ and ached equally for them. There is much manipulation and secretive agendas that make the line between antagonist and victim blur, as do the lines of sexuality. Although Will is gay, this is not a homosexual novel, and it would be a tremendous pity if anyone dismissed the reading of it as anything less than it is — an engrossing narrative bringing new life to the vampire mythos that could equally interest vampire aficionados and those with no particular liking for the subject.

This is and isn’t a vampire book, just as it is and isn’t so many other things, but a satisfying blend, a commingling of old and new, the future and the past, complexities of relationships, love and hate. One is left feeling that these characters are all being moved like pawns in some great game where some fundamental rule or ‘truth’ is missing. Those who believe they are following a line of destiny are as helpless as a newly re-birthed upyr of the story. I hurt for Frederick almost as I did Willem. In this expert way, the author humanises the villains of the piece, making the reader care even when a twinge of betrayal or guilt accompanies the feelings, for Willem remains the central pivot that wreaks havoc with the emotions, both with the other characters in the story and with the person turning the pages.

Unusually, for a book in a series, I have to agree with another reviewer who commented on the truly great ending, calling it both subtle and powerful. I’d like to add another word to that: perfect. It’s the perfect end at the perfect moment. I feel content enough to leave the story for now, and let the events I’ve learned so far percolate… with anticipation.

You can check out Andy’s Amazon page where you will see The Seeker has two covers, but this is the latest:

seeker