Category: Recommended Read

Reads I’ve enjoyed.

Update April 2022

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Hi Everyone!

AT HOME:
Got out to see some welcome signs of spring. Visited a couple of garden centres, including a new one, and got some much wanted plants. Now, to keep everything crossed the slugs won’t eat them. Also took a long trip to visit relatives and booked some breaks for later this year. I’ve been limping around on a sprained ankle because someone had put in a new drive by covering it with stones and grit and it was covering the road. Alas, rounded off the month with some sad news regarding the death of a dear friend.

FILM/TV:
Watching the last two seasons of Sleepy Hollow as we never saw them after our Sky box melted several years ago. I have mixed feelings about the show (especially the crossover episode with Bones — so peculiar to cross a supernatural programme with one so focused on science; it didn’t even feel as though the actors hearts were in it), but think it’s cast well.

Finally finished re-watching Star Trek The Next Gen, and now re-watching Deep Space 9, though quite a few of the early episodes seem to rely on the crew acting dumb to make the plots work. One series that surprised us was Only Murders in the Building, starring Steve Martin and Martin Short. Very well written. I see there’s a second series and we’re definitely interested.

A quirky little film is From the Vine, starring Joe Pantoliano. An Italian/Canadian production it tells the story of a man who makes a surprising career decision because of an ethical dilemma and returns to his roots to find a better life. Nothing exactly new about the plot, but it’s engaging.

READING:
The Cabin in the Woods (The Official Visual Companion), Drew Goddard & Joss Whedon
Companion book to the film which features interviews, cast comments, the script, design work, and concludes with a creature feature which I feel could have been longer, but I’m guessing they wanted to leave some surprises for the film alone. Also, a warning — the print is tiny. For anyone who loves the movie, this is a kind of must have. There’s a lot here that made me want to watch the film frame by frame to catch all the detail I’m sure I’ve missed, namely the wealth of creatures. I warn anyone who hasn’t seen the film and wants to, not to look at the book first. There will be no shocks left.

Midnight, Dean Koontz
A re-read for me. Not having read this book for more years than I care to remember, I confess I’d forgotten the story. This is a tight science-fiction thriller with the meaning of life subtext. Think The Island of Doctor Moreau crossed with any well made FBI crime show. And as with classic books like Frankenstein, there’s the underlying question of just because humankind can do a thing, it has an ethical necessity to consider whether it should. Alas, I don’t think the villain’s backstory with the Native American holds up well in more modern times; it’s cliched even down to the sense of this person being the source of corruption. And I’m not even sure it’s all that important, but there’s much to like here. I like what Koontz has to say about thought vs feelings and vice versa in this, and how humans cannot live without emotion. As is often the case, the author also includes a perfect doggy hero.

The Boy in the Striped Pyjamas, John Boyne
A well-known and international bestseller, this is a book set during the Holocaust and telling the story from the point of view of an innocent boy. On the one hand, this should be a classic for generations to come and required reading; indeed, many teachers in the UK use this for teaching already. However, Bruno would not have been so unaware; as a German child of the time, he would have been part of the Hitler Youth movement, taught (brainwashed from a young age) to swear oaths to support the Fatherland. The book suffers from other faults such as the unfortunately flat character of Shmuel, the boy Bruno makes friends with — a child who more likely would have been instantly murdered at Auschwitz, the obvious setting as Bruno calls the camp Out-With. Sadly, the book falls short by showing the atrocity though one point of view, and a blinkered one at that. I can’t help feeling this would have a greater impact on today’s youth were the reader to see through the eyes of both boys revealing the true horror in the camp. Still, simply told yet disturbing, this fictional work of a factual era is appropriately unsettling, and as a teaching tool is a fine stepping off point for the young. I felt irritated that even a 9-year-old could be so ignorant of the world but realised this reflects one facet of reality — that too many, aged 9 and older, remain or even choose such ignorance. Although I worked out the ending, there’s still something chilling about the conclusion and the closing sentence is one hard to forget.

Lord of the Flies, William Golding (audio book, read by Martin Jarvis)
Have to confess I’ve never read this, so I thought I’d listen to it as a compromise. Owing to its reputation, I expected a far more brutal story. No doubt much is lost owing to what once was shocking pales in significance as time progresses. Still, undoubtedly a classic and deserving of such status.

The Cuckoo’s Calling, Robert Galbraith
I bought this when it first came out, but have dithered whether to read it. Still, as I paid for this, I at long last got around to reading J.K. Rowling’s offering of her first detective novel. Cormoran Strike is a vibrant character and, along with the pairing of his Temporary Solution assistant, makes for a hard to forget duo. I decided on two killers and one of them was correct, but it took a long time for me to come up with a deduction. This was a surprising and well plotted read.

Bob The Book, David Pratt
Bob is a gay book looking for the love of his life. It’s a fun concept, a quick read, and a good allegory for life, love, and relationships. The story shows we don’t always get what we want, or we find it in a way that’s unexpected. Equally, it says that what we want isn’t necessarily the best thing for us or even what we need. And I’ll never be able to look at a book with a broken spine the same way again.

The Secret Scripture, Sebastian Barry
I understand this is possibly one of three novels starring the McNulty family, so perhaps reading them all would be more fulfilling. In this volume, the story of Roseanne is unsurprising given the way women have been treated historically, yet disturbing and anger inducing to a modern-day female audience, and I hope a male one. Ultimately a sad tale, and atmospherically put together. Unfortunately, although I empathise with Roseanne’s plight, I didn’t connect with her as much as I would have liked, and about halfway through I lagged and struggled, meaning this took me far longer to finish than it should have. Still, it’s well plotted, with an end that will surprise some (though I guessed the outcome, thinking the author surely wouldn’t choose it); therefore, will satisfy some, annoy others. It’s a good book, but one I could take or leave.

Norse Mythology, Neil Gaiman (audio)
I’m a Gaiman fan though I’ve not read this one. Not sure what I’d make of it in print, but I found the audio dramatisation thoroughly entertaining. This was an hour and a half of fun with a varied cast, including the author. The telling of Norse Mythology told as someone telling a story.

Alien: River of Pain (cast dramatisation), Christopher Golden (audio)
A rather unnecessary telling of what happened to the settlers at the start of the film Aliens, though entertaining enough to appeal to some Alien fans. This tells us what happened to Newt and her family, and the other colonists before Ripley & Co arrived to find out what happened to them.

The Very First Damned Thing, Jodi Taylor (audio)
A prequel to a series of books of the Chronicles of St Mary’s featuring a group of time-travelling historians, this one read by the author. It’s entertaining and an interesting idea, and perhaps adds to the series for invested readers, but I’ve not listened/read any of the other books and I’m not sure this made we want to start another series, particularly as it has mixed reviews. Still, I like the idea enough that if I had enough time, I’d try the first book, so I can’t truly recommend one way or the other.

Anyone But You, Jennifer Crusie
A sweet, fun, feel-good romance featuring two people who are too good at assuming what the other one wants based on their own insecurities. This is a great summer holiday read. And if you like dogs, you’ll love Fred.

WRITING
Working on re-leasing a previous book and of turning it into a trilogy, so I’ve been writing that. Still not sure it will happen, but I had an idea which has brought me closer to making it a reality. As soon as I’ve finished this, I’ll be working on my Dark Fiction novel again.

Stay happy and healthy!
Sharon x

Update Jan 2022

  By , ,

Hi Everyone!

As always, I’ve set this out so you can read the sections you want to read. I have publishing news, so note the writing section.

AT HOME:

It’s been a fairly quiet time, though I’ve been busy writing. We’ve got out to walk locally, but nothing to impart on the home front this month.

FILM/TV:

Right now we’re still re-watching Castle (Disney) as we never got to the end originally (Sky box melted; not kidding — came home to the smell of melting plastic one day and we gave up as they refused to give us a deal on a new box).

We are now watching The Discovery of Witches on NOWTV (only ever read the 1st book, though I thoroughly enjoyed it, so may need to get around to the 2nd and 3rd).

We’re still re-watching Star Trek Next Gen on Netflix, and the US version of The Office, which, I said last month, has pleasantly surprised me. I liked the UK version and often when there’s a remake elsewhere, it’s never as good. This time it feels as good just different. The US version has a surprisingly British feel to it, no doubt because Ricky Gervais was involved.

And we watched Around the World in 80 Days on BBC iPlayer, which is surely one of the best things the ‘Beeb’ has made for some time. Have to admit we seldom watch anything from the BBC these days, and would happily see the back of the TV Licence because of it — sorry, but it’s time we stopped paying for things we don’t use, and one or two programmes isn’t enough to warrant the cost. Glad to hear there’ll be a second series and it would be wonderful if they keep to Jules Verne stories, but even that wouldn’t make me subscribe. As for another series, we’re keeping up with Death in Paradise.

READING:

Jan

Lightning, Dean Koontz

A re-read for me, though I’ve never forgotten the heart wrenching moment following the fire which I first read on a train journey when I had to put the book down. Times have changed. Knowing what was coming, I wasn’t so affected this time, and the story of publication success seems farfetched in these turbulent times of the industry, though in rare cases it happens. This is a tight supernatural science fiction thriller, and I enjoyed it as much now as I did so many years ago. What I realised during this reread is the sorrow in these pages is as important as all the other aspects to make the work enjoyable. Without conflict, there is no story, and this book has it in bucket loads.

The Hapless Child, Edward Gorey

I can’t really claim to have ‘read’ this book, as there’s not much to read. Each page contains a simple statement and one of Gorey’s quirky drawings, which is really what makes the book. Warning: if you don’t already know the story and don’t want to know the details, then don’t read the book flap because it gives the facts away. Fortunately, I had some inkling. When finished, which I did in under five minutes, even taking time to study the pictures, the bleakness left part of me harrowed, and part of me wanted to laugh. That could be partly a dark, twisted sense of humour, or a coping mechanism. I’m sure it’s both. One of the dreariest tales, this is perfect to dig out when anyone moans about their lot in life because you can remind them of poor little Charlotte Sophia. The type of book Jack Skellington would mistakenly give out to children for Christmas. This makes me think of the original fairy tales, which are darker than many people who haven’t read them believe. There’s something oddly interesting about this little book.

Tender is the Flesh, Agustina Bazterrrica

The subject of humans being used as meat is not a new one, and I could mention another book which I feel has approached it better. I wanted to feel for the main character in this novel, but I couldn’t connect with the story mostly because of the way it’s written. Many authors seem to adopt the present tense recently, but it took several confusing pages for me to realise ‘he’ almost always means the main character. For example: “El Gringo steps away from Egmont and approaches him, just as he’s thinking there must be more than 200 in the barn.” Read as is, this sentence is very confusing. How can someone both step away AND approach? And who is doing the thinking? When you realise the ‘him’ and the ‘he’s thinking’ are both Marcos (the MC), the sentence becomes clearer, but I’m surprised any decent editor allowed the book to go to publication like this, and would take it as a self-published book. The entire basis of the story — the almost non-existent animal population because of a virus — would present a far great ecological disaster than humans being unable to find meat for their dinner plate. Then there’s the scene of animal cruelty which adds nothing to the story. I dislike animal cruelty in books, though will tolerate it if I feel it is important, but here it struck me as entirely unnecessary. I hate sounding negative. The author tells a decent story, and aside from the lack of a personal pronoun for the main character can clearly write. However, the book is neither frightening as a horror story, nor does it work as a great allegory, except, perhaps, to show human nature at its most bleak and appalling.

Cunning Folk, Adam L.G. Nevill

Having experienced bad neighbours, this book contained some personal horror for me, so much so, I found it hard to switch off after reading one section. Yes, this is supernatural horror, but the twin joys of moving in a money pit of a house next door to the worse neighbours one can imagine makes for a memorable folk horror. I must admit, the ‘folk next door’ presented a greater horror than what might be out in the woods for me. Maybe disturbing more than scary, but, though horror is a favourite genre for me, I’ve yet to find a truly scary book. I found a few of the descriptive sentences a little too much, perhaps excessively flowery, needing to read them twice, but I find Nevill’s style of work compelling, so even an occasional awkward sentence would never deter me. Opinions are just that, anyway, with no true right or wrong. I’m a reader who appreciates an author who takes me on an unexpected journey, and I also appreciate Nevill has an extensive vocabulary. The descent into madness (neighbours driving a person crazy), is spot-on and disturbingly delightful.

The Butterfly Garden, Dot Hutchinson

I started reading this book against my better judgement upon recommendation. Written in both first person sections and others in present tense, I was immediately uncertain, but it works to tell this story. The educated way the main protagonist speaks also threw me, a rather sophisticated way for such a young woman. This is a horrible rape thriller (though there are no portrayed rape scenes), and (horrible) is what it should be. Maybe it tries to play psychoanalyst to both victim and criminal, but it doesn’t quite succeed. Some readers find this book disturbing. Others hate it and blame the victims for not fighting back, and, to a point, I agree with both observations. I have to wonder when faced with an impossible prison, and a worse ‘caretaker’ if one killed one’s keeper, what might many people do, even if eventual death is unavoidable? Still, I find it unrealistic — there’s not enough covered in the book for those who fell apart; they’re almost a footnote, pure observation. We’re not shown those who perhaps sought a way out, even if they paid the ultimate price. We don’t hear their screaming and crying, only weeping… and there would be more variations of reactions, emotions, and personalities, loud and quiet; subdued and violent. Disturbing? Though I shed a tear during a couple of moments, I read most of the story as an unaffected observer and when trying to work out what’s wrong with this book, I feel there I have my answer. There’s a lack of emotional investment. I felt sorry for the plight of the women, felt a natural disgust for the perpetrator, but aside from wanting them to escape purely sympathetically, as any decent person would, I wasn’t rooting for anyone. I think I understand the author’s intent — to keep the main character telling her story dispassionately, because it’s the character’s upbringing and way of coping, but it also leaves the reader in a rather dispassionate place. You can’t sink to the depths of depravity without making the reader feel the anguish. I also couldn’t help reading this without thinking of The Collector, by John Fowles, as this seems to be the same story taken to a more extreme level.

The Ghost Machine, James Lovegrove

When I started this book, I immediately felt this was going to be my least favourite of the first 3 Firefly novels, and in some ways, it is. I think this is because at first the threat didn’t feel genuine enough, but as the conflict ramps up, there’s reason to root for the crew’s survival. In that way it feels like a book of two halves, but it still finds its place in the Firefly universe, although I cannot imagine some of these scenes would ever have made it into an episode. This is in some ways possibly the most brutal story to date.

I’ve started Thud, by Terry Pratchett, so more on that next time.

WRITING

I at last subbed the book I talked about last month. Pleased to announce JMS Books has contracted Sweet Temptations. Release still planned for March. I’ll share the blurb next month.

Stay happy and healthy!

Sharon x

Reads of 2021

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Looking back at my favourite reads of 2021. I’ve tried to choose one a month, but for some there really wasn’t a choice, and towards the end of the year, I had more than one impossible option to choose between.

In January, I read Incubus, the first book I’ve read by Joe Donnelly. Though distasteful things happen to women in this book, without them the story wouldn’t work. One might call this the ultimate in evil child tales, but it passes beyond into true monster territory. For some, the book may feel too long, but the strength comes from the inexorable build. The power comes from the writing, the sustained sense of menace, which creeps under the skin and into the mind. A brilliant idea for the horror genre, expertly executed.

Next, I have to jump to April with my first book by Ania Ahlborn. Although lower down on my lists of favourites, I felt I had to list The Bird Eater by a woman of horror. The book truly takes off from Chapter Two because in Chapter One I felt the opening pages threw too many names and too much background at the reader, but once I got close to the end of what read like a prologue, I fell into the story. Once I got to the end, I realised how well plotted the overall story was, all the threads interwoven. The odd grammatical redundancy jarred me out of the story, but it’s otherwise superbly written with a proper sense of a descent into madness as someone’s psyche unravels, tormented by evil spirits perhaps of the supernatural world and of one’s own making. My first book by this author, but it won’t be my last.

In June I enjoyed another Firefly novels, The Magnificent Nine, by James Lovegrove. Book two of the Firefly novels. Not as enjoyable as the first, but primarily featuring Jayne Cobb, it’s still fitting, like watching an episode. Not as rewarding, but the next best thing and the closest fans are likely to get to their beloved Serenity and its crew these days. I wasn’t sure I believed one of the plot points, but am inclined to be forgiving to the books of my favourite series. I also love how they present these paperbacks and hope the quality in both writing and presentation continues.

Also in June, The Silent Companions, by Laura Purcell, surprised me. This gothic chiller takes off slowly but picks up once the ‘companions’ make an appearance. I love the idea of them in this well-plotted gothic mystery. Alas, it’s impossible to tell why without giving away the creepiest part of the book. I’m pleased to have stumbled across this book. The only (small) negative is the sound the author describes as a ‘hiss’ does not appear to relate to the cause of the noise. I would liken it more to a rasp, and the narrative does indeed call it a rasping hiss at one point, which made no sense to me, and didn’t seem to relate to what the protagonist experiences. That slight discrepancy aside, I thoroughly enjoyed the story.

I enjoyed the above book so much in July I picked up The Corset, also by Laura Purcell. Written differently to Purcell’s first book (The Silent Companions) in the first person, so with a different ‘voice’, still, this drew me in immediately. How best to describe Purcell’s work? Victorian gothic thrillers with supernatural slants, perhaps. Some books only reveal how well the plot works at the conclusion, and this murder mystery connecting two women from opposite sides of society is one such novel. This tale didn’t disappoint and pulls at the heartstrings. Despite not wishing to take on new authors adding to my To Be Read Mountain, I’m sorely tempted to continue reading more work by this author.

Another book picked up in July was Survivor Song, by Paul Tremblay. If looking for your average apocalyptic disaster infection outbreak story, this isn’t it. Instead, I stumbled into what the first-rate stories of this genre do best — focus on the survivors, this being the tale of two women connected by the shakable bonds of genuine friendship. While I wouldn’t call this book scary, it’s more effecting than that, containing true horror of a possible reality, not your average fairy-tale monster, reflecting light on the madness of humanity and the horror we watch and read in the safety of our darkened living rooms versus true adversity. Well-paced with ingenious ‘breaks’ in the narrative (gaps on the pages) that work on the emotions. The story of ’Nats and Rams’ is unforgettable. Painfully, tearfully, sorrowful.

The best book I read in August has to be The Elementals, by Michael McDowell. I’m so pleased to have read this. I loved the setting and the characters, which create a unique atmosphere for this haunted house story. The heat portrayed makes you want to lie around doing nothing but melting and reading this book. There are some truly spooky scenes, though I found the buildup more sinister than the ending. Towards the end, the book feels a little rushed because of the languid though absorbing journey to get there. Indeed, I found the slower parts of the book carry the more eerie aspects, so that when the story speeds up, as a climax should, it almost diminishes the scare, leaving me feeling the novel was over too fast. Still, the curious happenings and daunting disturbances are worth spending time with.

September gave me my favourite read of the year, but before we get to that, Quite Ugly One Morning, by Christopher Brookmyre deserves a mention. I have to admit some of the Scottish colloquiums escaped me, though I got the gist. This humorous thriller set in the shady world of the NHS is so perfectly plausible and entertaining, it’s almost a must-read. I loved the character of Parablaine and would definitely read more work by Brookmyre if not for my to-be-read mountain. Highly recommend.

No One Gets Out Alive, by Adam Nevill immediately presented itself as my read of the year. I would plough through Adam Nevill’s work if not for my to-be-read mountain and the fact that would leave me waiting for him to write more books to devour. In anticipation of the upcoming Netflix adaptation, I wanted to read the novel first. This is a horror story of two worlds, urban despair and cruelty wrapped up with supernatural dread and distress, and it’s difficult to know which contains the most terror. The story also takes a necessary tangent towards the end that piles on more anxiety, questioning the main character’s sanity. Much of the story is relentless, and we waited to read the book before we watched the film… which was good in a different way, but nowhere near as enjoyable as the reading experience.

October gave No One Gets Out Alive, a contender for first place: The Ruins, by Scott Smith. A book with a slightly misleading title, in that it led me to expect adventurers finding something terrible buried beneath the earth or in some old tomb. If I say it’s about a strange vine, no doubt many will want to move on, but this book’s saving grace and what lifts it above B-Movie status is it’s so well written. There’s no letup, and no doubt left in the reader’s mind. The narrative draws you into the characters’ plight, makes you root for them regardless of their personalities. Makes the reader plead for a rescue. The narrative, sadness, predicament, and dread are simply relentless.

Another high contender came in November: Kill Creek, by Scott Thomas. Although the character of Sam McGarver is the protagonist of this novel, all four fictional authors (McGarver, Cole, Slaughter, and the unforgettable Moore), are in a sense all main characters of this trip into horror. And like the work they produce, they represent various facets of the genre, which makes this (in some small way) a book that questions the meaning of horror as much as it’s a part of the category itself. Undoubtedly a slow burn, this book will naturally invoke mixed reviews, but it instantly drew me in and I happily went along for the ride. The horror comes in snippets until it reaches an ultimate pay-off. I throughly enjoyed this, though it’s not for those who want an in your face terror fest, or those who don’t have longer than average attention spans. My only negative is I have to wonder if people could carry on moving while suffering such severe injuries even though they’d be running on adrenaline, but this is fiction, would make an excellent film, and we’ve seen people suffer through worse in the make-believe world of the cinema.

Another book which deserves a mention in November was Fevre Dream, by George R.R. Martin. Martin is a writer best known for the Song of Ice and Fire series (A Game of Thrones), but if readers were to overlook his other work, that would be a pity. Fevre Dream is an easy reminder of what sets this author apart. A richly drawn tapestry of life aboard steamships ferrying goods and passengers up and down the Mississippi, blended with a gothic helping of vampire mythology. Most striking of all is how the author brings the steamboat captain, Abner Marsh, alive in full coarse realism. Never has a protagonist so ugly been so wonderfully memorable. The story at once romanticises its setting and characters, simultaneously making them powerfully gritty. It’s possible to feel the heat and damp and oppression of the steamboat work, the river, the weather, and of society itself. There’s something classic about this book (references to Mark Twain abound entwined with Bram Stoker, and that’s a fair definition). This is no lightweight vampire tale or novel. Good for those who like a richly portrayed backdrop to the action. Atmospheric, and beautifully layered storytelling.

I thought no more truly excellent books were to come my way in the final month of the year when I stumbled on in December, The Invisible Life of Addie LaRue, by V.E.Schwab. Lovely in hardback with a simple raised copper and blue design. Look under the dust jacket to see the attention put into every detail. The first quarter of this book felt a little overlong though I put that down to the tense not being one I favour, yet by the time I reached the end, the style seemed perfectly suited to tell this story. The more I read, the more I considered what life would be like without ties, without friends or family, and whether, at least sometimes, we truly need to be careful what we wish for. I believe I picked out at least one continuity error; however, despite any flaws, I thoroughly enjoyed this beautifully painful dark fantasy with a romantic subtext. A book which crosses genres. Someone destined to be forgotten makes for an unforgettable character. I loved her rebelliousness most of all. I even felt some affection for the terrible ‘darkness’ which transforms her life, and wondering who would truly win the final ‘battle’. Heart wrenchingly emotive with an ending which may require tissues.

With so many good books, I still feel No One Gets Out Alive is top of my list, with a few running an extremely close second.

Update Dec 2021

  By , , ,

Hi Everyone!

AT HOME:

Alas, my planned acupuncture got cancelled for various reasons, but I struggled through travelling in pain, so got to spend Christmas with relatives, then returned home for my birthday spending a few quiet days to get me and life back to ‘normal’ ready for the new year.

FILM/TV:

Watched a few Christmas films and has the age old debate of whether Die Hard constitutes a Christmas movie. I lean towards no. Just because a film is set at Christmas, it does not make a Christmas movie. However, what surprises me is everyone focuses on Die Hard but not Die Hard 2. Definitely a Christmas setting there. We watched both. One of my favourite Christmas films, is the original version of The Bishop’s Wife, starring Cary Grant and David Niven. One of those we watch almost yearly.

Watched the eagerly awaited season of The Witcher. I hope Netflix carries this through to the full conclusion covering all the books, and I know the books are a series I will reread one day. Alas, we learned Netflix won’t be making another series of Cowboy Bebop. Torn about that. I can understand why it failed, yet we would have watched.

Still watching Castle. Catching up with seasons 11 and 12 of the animated Archer. And we’re watching the US version of The Office. Whereas I usually dislike American adaptations of UK shows — the sense of humour rarely carries well — I have to say The Office is an exception. We enjoyed the English version, and equally like the US show. It has quite a British film and I often forget I’m watching a US series.

READING:

The Invisible Life of Addie LaRue, V.E.Schwab

Lovely in hardback with a simple raised copper and blue design. Look under the dust jacket to see the attention put into every detail. The first quarter of this book felt a little overlong though I put that down to the tense not being one I favour, yet by the time I reached the end, the style seemed perfectly suited to tell this story. The more I read, the more I considered what life would be like without ties, without friends or family, and whether, at least sometimes, we truly need to be careful what we wish for. I believe I picked out at least one continuity error; however, despite any flaws, I thoroughly enjoyed this beautifully painful dark fantasy with a romantic subtext. A book which crosses genres. Someone destined to be forgotten makes for an unforgettable character. I loved her rebelliousness most of all. I even felt some affection for the terrible ‘darkness’ which transforms her life, and wondering who would truly win the final ‘battle’. Heart wrenchingly emotive with an ending which may require tissues.

Invasive Chuck Wendig

If I graded this along with my favourite books, I might drop half a star, but basing this novel on its own merits and the genre, it’s a solid 4/5. One review on the cover claims it to be one for fans of Michael Crichton and I can understand why. Its fast pace and solid imagery makes for a book a reader can plough through. The threat feels real, as does the inevitable countdown to time running out. The march of endangerment is as inexhaustible as the unrelenting insectile invasion, though this is no B-Movie. There’s a disturbing note of truth on the evolutionary, environmental, and genetic interference scale that’s all too sadly believable. Of course, this is a stretch of the imagination, but in this type of story, that’s what the reader is looking for. An enjoyable read, though not for anyone suffering from Myrmecophobia (fear of ants).

A Simple Plan, Scott Smith

After reading The Ruins, I sought other work by this author, who appears to have written only one other fiction book. Most stories require the reader to root for the antagonist. Oddly, this book required no such investment for me. The characters are quite unpleasant, taking things that would shake many of us to the core in too casual a stride. It’s the excellent writing, and the swiftly escalating events that kept me riveted to this story. Having said that, it practically pushes those events to their limit. The reader needs to set disbelief on an extremely high shelf. With The Ruins, this was easier to do because of the supernatural circumstances, but this story is a thriller with a setting of reality making that harder. Still, I enjoyed the book to the last 100 pages where the repellant characters, particularly that of the lead, became far too irksome. I enjoyed the story, and appreciate what the writer did, but also found myself irritated even though I feel it was well worth reading. The closest person to an innocent (other than the baby and dog) is Jacob, owing to his childlike and easily led nature. Still… it’s something to create work that pulls the reader along when there isn’t a main character to cheer on. NOTE: It’s only one scene and over fast, but those who cannot abide animal cruelty possibly should avoid this; for me I struggle, though it ‘depends’ on the story. Here I felt the author made a terrible mistake, and it’s unnecessary. I get the function of the scene, but by then the reader doesn’t need to be reminded how low the character has sunk. I want to give this book 5/5, but because of a few quibbles, I must knock a star off.

Krampus the Yule Lord, Brom

Not the tale of terror I expected, but there’s still much to like about this book, not least of all the drawings by Brom, artist and author. I didn’t find the pace terribly fast, and I questioned Jesse’s patience/impatience, which seemed erratic, even though Krampus doesn’t give him much choice. In short, I would have liked the book to be a little more emotional, both in the feelings portrayed and what it invokes, but for anyone who likes the darker side of Christmas tales, this is easily deserving to be identified as classic.

Naomi’s Room, Jonathan Aycliffe

Some passages in this book feel more tell than show, no doubt because it’s written in first person, making the recollections of the protagonist’s investigation into the background of the hauntings occasionally a little tedious, but the spooky happenings were more immediate, speeding by, and kept me riveted so that I finished this book in a single day. The supernatural occurrences are unsettling as they should be, though not frightening. Still, the picture of child murder and the lonely cry of the restless dead is well portrayed, making Naomi a painfully real character. Surely a must-read for those with a liking for ghost stories, though some elements spoilt the story for me. Alas, I’m unable to say more without spoilers, and when reading a horror novel (which this is undoubtedly is), it’s hard to be selective regarding scenes of torment. What disturbs one reader another person will shrug off. What seems ‘acceptable’ is a matter of semantics. I thought this would be an excellent film.

WRITING

I plan to do a final edit and then submit a Work in Progress which until contracted I’ll call ST for now. I’ve a preliminary date for publication for March 2022.

My last publication in 2021 for pre-order was my short story, The Gift, in the Lethbridge-Stewart anthology Operation Wildcat published by Candy Jar Books.

http://www.candy-jar.co.uk/books/unitoperationwildcat.html

Stay happy and healthy!

Sharon x

Update November 2021

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Hi Everyone!

AT HOME:

There are a few craft markets around from now until the end of the year and we’re visiting the odd one. Our local market is going to be open for a late night once a week for the next three weeks. I’ve booked in some more acupuncture, though right now just hoping it calms things down and helps make me more comfortable, as I could only get 2 sessions until the new year.

FILM/TV:

Finished Squid Game, which had a bit of a shock ending that had me swearing (can’t reveal why without spoilers). Been re-watching Castle as we never saw the finish and it’s been a long time. And started Cowboy Bebop, which is Netflix’s attempt to take an Anime series and make it live action. It’s basically a bounty hunter western in space. Does it succeed? I don’t know as I’ve not watched the source material. I think if not for John Cho playing Spike Spiegel, I might not be so taken with it, but it’s visually striking and ticking along nicely so far.

READING:

Listened to Alien: Out of the Shadows, by Tim Lebbon.

Not a bad dramatisation which fits into the Alien universe between the first Alien film and Aliens the second in the franchise (it doesn’t appear to at first, but it covers this towards the end). Wanted to listen as Rutger Hauer reads the part of Ash and the woman who reads the part of Ripley sounds remarkably like Sigourney Weaver, which adds to the experience. Not that the story is faultless. A lot reminds one remarkably of characters from the first film, and it’s clear Ripley survives or she wouldn’t have appeared in the second film, so ultimately this adds nothing to the Alien universe. Still, it’s nostalgic fun.

Nightflyers, George R.R. Martin

Shocked to receive such a slim book, but the story within is only a novella. It will be interested to watch the Nightflyers Netflix series after reading this to see how they’ve extended the material, for surely they have — there’s hardly enough here to make a long film. I found the story a little hard to get into, though once things go wrong, it got interesting. The concept behind this sci-fi jaunt is interesting, though hardly unique, and something about the overall story seems weak. I wish I’d seen this can also be bought with other stories rather than have paid for it as a separate book. I’m glad to have read it, but don’t feel I would have missed much if I hadn’t.

Kill Creek, Scott Thomas

Although the character of Sam McGarver is the protagonist of this novel, all four fictional authors (McGarver, Cole, Slaughter, and the unforgettable Moore), are in a sense all main characters of this trip into horror. And like the work they produce, they represent various facets of the genre, which makes this (in some small way) a book that questions the meaning of horror as much as it’s a part of the category itself. Undoubtedly a slow burn, this book will naturally invoke mixed reviews, but it instantly drew me in and I happily went along for the ride. The horror comes in snippets until it reaches an ultimate pay-off. I throughly enjoyed this, though it’s not for those who want an in your face terror fest, or those who don’t have longer than average attention spans. My only negative is I have to wonder if people could carry on moving while suffering such severe injuries even though they’d be running on adrenaline, but this is fiction, would make an excellent film, and we’ve seen people suffer through worse in the make-believe world of the cinema.

Fevre Dream, George R.R. Martin

Martin is a writer best known for the Song of Ice and Fire series (A Game of Thrones), but if readers were to overlook his other work, that would be a pity. Fevre Dream is an easy reminder of what sets this author apart. A richly drawn tapestry of life aboard steamships ferrying goods and passengers up and down the Mississippi, blended with a gothic helping of vampire mythology. Most striking of all is how the author brings the steamboat captain, Abner Marsh, alive in full coarse realism. Never has a protagonist so ugly been so wonderfully memorable. The story at once romanticises its setting and characters, simultaneously making them powerfully gritty. It’s possible to feel the heat and damp and oppression of the steamboat work, the river, the weather, and of society itself. There’s something classic about this book (references to Mark Twain abound entwined with Bram Stoker, and that’s a fair definition). This is no lightweight vampire tale or novel. Good for those who like a richly portrayed backdrop to the action. Atmospheric, and beautifully layered storytelling.

WRITING

I finished the current Work in Progress and have now set it aside for a proper read before submission. I’m toying with adding a third book to another project, but it’s too soon to tell.

Stay happy and healthy!

Sharon x

Update Oct 2021

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Hi Everyone!

AT HOME:
Went to a local market for the first time in… it’s got to be 20 months at least. Still keeping ourselves as safe as we can (too many seem to have forgotten you can still catch the virus whether you’re vaccinated), but trying to have something of a life. Sounds a simple thing, but it delighted us to buy pasties, sausage rolls (fabulous sausage, cheese, and red onion marmalade flavour!), fresh bread, and a lovely bunch of roses. Time out definitely makes you appreciate the simple things in life.

FILM/TV:
Watching Squid Game on Netflix along with what seems most of the population — a rather brutal live or die dark fiction drama, but Episode 6 was so sad and a real pull on the heartstrings. Episode 7 had to potential to give me vertigo. Only two episodes to go.

Catching up with BBC’s Ghosts, which I watch mostly because it’s so close to something I wrote as a child, it’s almost like seeing my idea come to fruition. Of course, I was too young to pull it off, but the basic idea was the same. Proves timing is everything, and that authors share ideas all the time.
We finally got around to watching No One Get Out Alive. Alas, as I expected, it’s nowhere near as good an experience as reading the book, in part because it’s rewritten and reset for an American audience. Still, the film version had some concepts I liked, but whatever one thinks of the film, I’d recommend the book.

READING:
I have now started listening to audiobooks, a thing I’ve done in the past, but gave up because I often found my concentration wandering. I would need to rewind too often. Fortunately, I’ve discovered I can listen when cycling, when drawing, and when preparing dinner, so I’ve added audiobooks to my ‘reading’ experience again. There are also a lot of dramatisations worth paying attention to. I’ll include and mark any books which I’ve enjoyed audibly.

Night Shift, Charlaine Harris
The last book in the Midnight series, this ties up the loose ends nicely, although I felt the big showdown falls back somewhat on a tired cliche. I felt Manfred was a little under-used, seeing as he’s been the main character from the start. Here, all the characters get their screen time, and it’s the characters that make the books entertaining. Now I’ve finished them, the series almost feels too short. Of course, Mr Snuggly (a talking cat) had to have the last word.

The Ruins, Scott Smith
A book with a slightly misleading title, in that it led me to expect adventurers finding something terrible buried beneath the earth or in some old tomb. If I say it’s about a strange vine, no doubt many will want to move on, but this book’s saving grace and what lifts it above B-Movie status is it’s so well written. There’s no letup, and no doubt left in the reader’s mind. The narrative draws you into the characters’ plight, makes you root for them regardless of their personalities. Makes the reader plead for a rescue. The narrative, sadness, predicament, and dread are simply relentless. This completes for a read of the year.

Imaginary Friend, Stephen Chbosky
This is a tough book to rate. The writing is too basic for many adults, yet age appropriate for the protagonist who is a child. Note: The golden rule used to be if the main character was a child, then it was a book for children because publishers believed adults wouldn’t be interested in what happened to children. We’re somewhat past this now, following on from the success of the Harry Potter books which gained an adult audience. However, there’s not enough to differentiate between the characters in… well, character, or age. And I imagined the children as far older than purported to be. What drives this book — the purpose of the book, if you like — is subtext. I didn’t find the horror in the book all that horrific because of the child-like narrative. The author uses far too many fragmented sentences for every paragraph to be enjoyable. Though I don’t know what I’d cut, this is a HUGE book. Far too long. The subtext covers many things… seems sometimes to talk about how we treat each other, how people operate in society and behave towards their neighbours, our family and friends, as much as it includes religion — a criticism I’ve seen, though I’m left uncertain whether the author is for or against. It touches on the personal note and a bigger picture. The story has stayed with me, but I’m uncertain if I care about that the book offered, and though there was no way I was going to stop reading and I’m an avid and determined reader, the book was too long even for me because it became repetitive in the last quarter. The book has something to say, but the question is whether you’ll want to hear any of it. There are several deliciously creepy parts. There are characters you want to know more about and become invested in, but I’m not sure that for such a long book there was a big enough pay off for the characters I cared about. For every plus, I found a negative. I’m honestly torn. Though the scope is impressive, it left me with a feeling of dissatisfaction. I neither like nor dislike the book.

Get a F*cking Grip, Matthew Kimberley (audio book)
A five and a half hour giggle with the only self-help book anyone truly needs. May also be the only proverbial kick anyone needs. We all know these things — the book tells us nothing new — but it states more than a few home truths many people won’t enjoy hearing and won’t let themselves pay attention to. Yes, there’s some silliness too, but the author puts all the advice you ever knew and didn’t want to listen to together entertainingly, and has the perfect voice to present it.

Ask an Astronaut, Tim Peake
I’ve taken several weeks to read this book, dipping in an out, but having loved, ‘Hello, is this planet Earth?’, Tim’s pictorial look at travelling to space reading this was a simple decision. Tim has put together a fascinating and informative book that answers every question most of us would ever want to ask and answers them in a way most anyone can understand. From training, to launch, to working in space, what a spacewalk is like, and how it feels to return to Earth, as well as what’s coming in the future. A fun narrative and must-read book for anyone who has ever looked up at the stars and wondered what’s out there.

Pine, Francine Toon
I found this story interesting, and the book is an easy read. It’s certainly atmospheric, even mystical, but I found small sections felt choppy. Some conversations likewise, perhaps to lead the reader astray. At first, I thought I was reading a ghost story. Ultimately, as much as some of the book is lovely, other parts feel flat, and the reveal happens too fast. The supernatural elements never reach a satisfactory pay off. As a debut novel, it’s good, but I have to wonder what the editorial staff were thinking; they’re there to work with authors to make sure the book meets its potential, and this book leaves too many threads blowing in the wind. Even down to Lauren’s apparent bullying at school, and her questionable ability to weave some kind of spell to put a stop to it — is this real? Or the desperation of a tormented child? I can only think the author intended to leave such questions unanswered, which would be fine if there weren’t so many of them. Despite this, I enjoyed the read, though the book is going into the charity pile.

WRITING
I’ve sorted out my work in progress and hope to have a finished book by the end of the month. Publication wise, next February might be good timing owing to the subject… providing I’m happy with the finished result. Anything I’m dissatisfied with gets trunked these days. One thing I would like to do is to write some more short stories.

Stay happy and healthy!
Sharon x

Update September 2021

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Hi Everyone!

AT HOME:
Been out and about for the first time in almost 2 years. At long last visited relatives, and shortly after we spent a week in the Tamar Valley, Cornwall. We mostly walked around gardens and did our best to stay away from people. Morning and evening we enjoyed the view. Because of needing to book and limited entry numbers, health issues, and the weather, we weren’t able to do all we might usually have done, but it was a much appreciated break. Maybe more on that another time.

FILM/TV:
Watched Hausen, a strange dystopian German drama that I would say fits in dark fiction rather than horror. The building is as much a character as any of the people, maybe the lead of this slightly surreal reflection of tenement life. The dark gloop that infests the outrageously tall block of flats seems to be a manifestation of the bleakness in some lives. It’s overlong and a little slow, but worth a watch if you like this type of genre… but ‘only’ if it’s your type of programme.

Sticking to the dark/horror themes, we’re watching Brand New Cherry Flavor, a Netflix original that’s as bizarre as it is interesting.

We want to watch No One Get Out Alive asap — more on that below in Reading.

READING:
This month I read a couple of ebooks that were so odd and somewhat distasteful, I’m not giving them air time. The subjects were peculiar and both could have done with editing. Lesson learned I shouldn’t always listen to group recommendations.

Watchers, Dean Koontz
A re-read for me, and I must start by saying that it’s possible but surprising the author was not aware back in 1987 that human chocolate is poisonous to dogs, but I would hope any reprints of this book would have the scenes where Travis feeds the dog such treats removed. There’s also a flippant remark about washing the dog almost ‘too much’. Dogs should not be washed more than once or twice a year because it upsets the balance of oils in their coats. Short lesson aside, maybe it’s a sign of changing times, but although I remember enjoying this book the first time around, a protagonist who indulges in shooting any living thing for ‘fun’, even if it is a snake, seems a strange choice, although Travis becomes a good lead, with Nora perhaps more so. Of course, the star of this book is the retriever. Again, one has to wonder if some parts of this book work today — putting out a cover story about a medical research dog having gone astray now might have as many people looking for the dog to hide it as to hand it in. The book also has the ultimate antagonist (more than one), which is to be as pitied as feared. Though a great thriller, this speaks to anyone who has loved a dog, has had to show the greatest loyalty in return by being there in times of heartbreak. This remains one of Koontz’s more famous novels with a following of dog lovers everywhere. Touched me as much now as it did when first read.

Quite Ugly One Morning, Christopher Brookmyre
I have to admit some of the Scottish colloquiums escaped me, though I got the gist. This humorous thriller set in the shady world of the NHS is so perfectly plausible and entertaining, it’s almost a must-read. I loved the character of Parablaine and would definitely read more work by Brookmyre if not for my to-be-read mountain. Highly recommend.

Day Shift, Charlaine Harris
We learn more about the strange community living in Midnight in this book, with Manfred especially facing threats from outside which endangers them all, including the peculiar reopening of an old hotel. This is a fun fantasy, and while I enjoyed much of Harris’s work, I think I like this series most of all. Although it’s not the fastest pace, this makes for comfortable reading with characters interesting enough to capture attention. They all have strengths (some supernatural), and yet very human weaknesses. We particularly learn more about Olivia’s past, the Rev’s nature, and Joe and Chuy in this one. There’s one more book, which is a relief considering my to-be-read mountain. Yet another part of me is sorry there’s only one more to go. Not every plot point is perfect, but the characters carry this through.

The Great Mordecai Moustache Mystery, Kyril Bonfiglioli
Although I dithered whether to read this one, it’s the novel which features the disagreement over Mordecai’s moustache, so I went ahead. A little disappointed Jock didn’t have more time on the pages, and though this book finished well (completed after Bonfiglioli’s death) I could tell the difference; something about parts of this feels like an easier read than previous books. Either the reader gets the Mordecai dry humour and appreciates it, or doesn’t. I can see it’s not for everyone. Reminiscent of many a classic and a blend of many. Incidentally, the film took a little from all the books to create a mash-up.

No One Gets Out Alive, Adam Nevill
I would plough through Adam Nevill’s work if not for my to-be-read mountain and the fact that would leave me waiting for him to write more books to devour. In anticipation of the upcoming Netflix adaptation, I wanted to read the novel first. This is a horror story of two worlds, urban despair and cruelty wrapped up with supernatural dread and distress, and it’s difficult to know which contains the most terror. The story also takes a necessary tangent towards the end that piles on more anxiety, questioning the main character’s sanity. Much of the story is relentless, and now I’m waiting for the husband to finish the book before we watch the film… which I’m sure will be nowhere near as good as the reading experience. So far this is my read of the year.

WRITING:
I’m halfway through the first round of edits on a work in progress, which I confess I should have finished long before now. I feel catching Covid a few weeks ago sucked away not only my imagination but motivation.
Stay happy and healthy!
Sharon x